Pregled po CROSBI profilu: Ana Peraica (CROSBI Profil: 26655, MBZ: 323894)
Pronađeno 41 radova
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1.Selfies as "Control Pictures" Mastering Fearful Psychosomatic Images Through the Photo Camera // Psychosomatic Imagery: Photographic Reflections on Mental Disorders / Ali Shobeiri, Helen Westgeest (ur.).
London : Delhi: Palgrave Macmillan, 2023. str. np-np -
2.Portraits of people that do not exist. Generative Adversarial Networks (GANs) and the problem of existence in portraiture // On Portraiture / Gschwend, Annemarie ; Jordan, Pereira ; Gamito, Fernando (ur.).
Lisabon: University of Lisbon, 2022. str. 210-218 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni) -
3.Autofotografija, Or; a non-human selfie // Concepts: a travelogue / Bernd Herzogenrath (ur.).
London : Delhi: Bloomsbury Publishing, 2022. -
4.Anthropocentrism and solipsism in photographic self-portraits of Edvard Munch // Photographies (Abingdon, England), 15 (2022), 2; 187-203 doi:10.1080/17540763.2022.2060287 (međunarodna recenzija, članak, znanstveni)
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5.Genotype, Phenotype, Phototype Digital Photography, Biological Variety, and Excessive Overpopulation of Types // Routledge Handbook of the Digital Environmental Humanities / Charles Travis, Deborah P. Dixon, Luke Bergmann, Robert Legg, Arlene Crampsie (ur.).
London : New York (NY): Routledge, 2022. str. 279-288 -
6.Face-mockers, Face-shifters, and Face swappers: Agency and Personal Identity in Portrait Photography Today // Transdisciplinary Imaging Conference "Dark Eden"
Sydney, 2021. str. 1-5 doi:10.6084/m9.figshare.16993384.v2 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni) -
7.Stolen Faces: Remarks on Agency and Personal Identity in Computation Photography // Lexia, 37/38 (2021), 455-467 (međunarodna recenzija, članak, znanstveni)
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8.Selfies as Augmentation of (Disappearing) Reality // The Aesthetics and Politics of the Online Self / Della Ratta, Donatella ; Lovink, Geert ; Numerico, Teresa ; Sarram, Peter (ur.).
Cham: Palgrave Macmillan, 2021. str. 165-179 doi:10.1007/978-3-030-65497-9_12 -
9.Reality Effect of (Abstract) Maps in Post-Digital Era // The Iconology of Abstraction Non-figurative Images and the Modern World / Purgar, Krešimir (ur.).
London : New York (NY): Routledge, 2021. str. 248-260 -
10.The Work of Art in the Age of Neural Reproduction: Works of Rembrandt van Rijn in Convolutional Neural and Generative Adversarial Networks // Art Documentation Journal, 40 (2021), 2; 209-220 doi:10.1086/717074 (međunarodna recenzija, članak, znanstveni)
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11.Photographocene: The past, present and future in the photography of the environment // Philosophy of Photography, 11 (2020), 1-2; 99-111 doi:10.1386/pop_00030_1 (međunarodna recenzija, članak, znanstveni)
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12.The Age of Total Images: Disappearance of a Subjective Viewpoint in Post-digital Photography. Amsterdam: Institute of Network Cultures (INC), 2019 (monografija)
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13.Immediations: The Humanitarian Impulse in Documentary by Pooja Rangan Immediations: The Humanitarian Impulse in Documentary by Pooja Rangan // Leonardo, 52 (2019), 2; 198-199 doi:10.1162/leon_r_01726 (recenziran, članak, znanstveni)
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14.Nonhuman Photography by Joanna Zylinska. // Leonardo, 52 (2019), 1; 95-96 doi:10.1162/leon_r_01709 (recenziran, članak, znanstveni)
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15.Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu. // Leonardo, 50 (2017), 5; 544-544 doi:10.1162/LEON_r_01507 (recenziran, članak, znanstveni)
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16.Culture of the Selfie: Self-representation in Contemporary Visual Culture. Amsterdam: Institute of Network Cultures (INC), 2017 (monografija)
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17.Image Science: Iconology, Visual Culture, and Media Aesthetics by W.J.T.Mitchell. // Leonardo, 49 (2016), 3; 285-285 (recenziran, članak, znanstveni)
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18.Formalism and Historicity: Models and Methods in Twentieth-Century Art by Benjamin H.D.Buchloh // Leonardo reviews, 49 (2016), 3; 285-285 doi:10.1162/LEON_r_01247 (podatak o recenziji nije dostupan, komentar, znanstveni)
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19.Big Data, Little Data, No Data : Scholarship in the Networked World by Christine L.Borgman // Leonardo reviews, June 2015 (2015) (podatak o recenziji nije dostupan, osvrt, stručni)
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20.Bernhard Poerksen and Hanne Detel: The Unleashed Scandal : The End of Control in the Digital Age by Bernhard Poerksen and Hanne Detel // Leonardo reviews, (2015), 3. (podatak o recenziji nije dostupan, komentar, stručni)
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21.Smuggling Anthologies Reader / Peraica, Ana (ur.). Rijeka: Muzej moderne i suvremene umjetnosti Rijeka, 2015 (zbornik)
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22.No Conflict: Paris Photo // Afterimage, 38 (2011), 4; 27-28 (međunarodna recenzija, članak, znanstveni)
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23.Exploitation of Victims’ Desire for Revenge : A Natural Psychological Mechanism and Its Unnatural Production in Culture and Politics // Leonardo, 44 (2011), 1; 55-60 (međunarodna recenzija, članak, znanstveni)
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24.Fotografija kao dokaz, 2010., doktorska disertacija, Filozofski fakultet u Rijeci, Rijeka
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25.Time travel and photographic negatives : Theory of the post-negative world, 2010. (podatak o recenziji nije dostupan, ostalo).
