Pregled po CROSBI profilu: Antonija Primorac (CROSBI Profil: 23354, MBZ: 280571)
Pronađeno 87 radova
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26.Infrastructural Challenges for Large Scale Digital Text Corpora: A View From the European Margins // Second annual Humanities, Arts & Culture Data Summit and third international DARIAH Beyond Europe workshop
Canberra, Australija, 2019. (pozvano predavanje, međunarodna recenzija, pp prezentacija, znanstveni) -
27.Meat, 2019. (međunarodna recenzija, prijevod).
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28.A Feminist Revision of the Fairy-tale in Angela Carter's The Bloody Chamber, 2018., diplomski rad, preddiplomski, Filozofski fakultet, Rijeka
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29.Distant Reading for European Literary History. A COST Action // Language Technologies & Digital Humanities / Fišer, Darja ; Pančur, Andrej (ur.).
Ljubljana: Znanstvena založba Filozofske fakultete v Ljubljani / Ljubljana University Press, Faculty of Arts, 2018. str. 262-264 (poster, međunarodna recenzija, kratko priopćenje, znanstveni) -
30.The Famine (and the) Queen: Nostalgia vs. Historical Trauma in ITV's Victoria (2017) // Association of Adaptation Studies Annual Conference 2018 - Facts: True, Alternative, Evolving
Amsterdam, Nizozemska, 2018. (predavanje, međunarodna recenzija, ostalo, znanstveni) -
31.Žena, majka, kraljica: neo-viktorijanizam, postfeminizam i prikaz Velike gladi u Irskoj u povijesnoj TV seriji Viktorija (2017.) // Književna smotra, 50 (2018), 190(4); 45-52 (domaća recenzija, članak, znanstveni)
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32.Gender, Violence and Contemporary Adaptations of Frankenstein // Science Fiction Film and Television, 11 (2018), 2; 169-170 doi:10.3828/sfftv.2018.14 (međunarodna recenzija, prethodno priopćenje, znanstveni)
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33.Neo-Victorianism on Screen: Postfeminism and Contemporary Adaptations of Victorian Women. Cham: Springer ; Palgrave Macmillan, 2018 (monografija)
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34.Postcolonial Periphery as the Neo-Victorian Metropolis: Dublin as London's Body Double // Transforming Cities / Pietrzak-Franger, Monika ; Pleßke, Nora A. & Voigts, Eckart (ur.).
Heidelberg: Winter Verlag, 2017. str. 127-144 -
35.'Worlding Detective Fiction: Early 20th Century Appropriations of Sherlock Holmes' // North American Victorian Studies Association & Australasian Victorian Studies Association Supernumerary Conference
Firenca, Italija, 2017. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni) -
36.Victorian Literature and Film Adaptation // Victorian literature and culture, 45 (2017), 2; 451-459 doi:10.1017/S1060150316000711 (međunarodna recenzija, pregledni rad, znanstveni)
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37.Neo-Victorian freakery: the cultural afterlife of the Victorian freak show // Early Popular Visual Culture, 15 (2017), 1; 104-106 doi:10.1080/17460654.2017.1259816 (podatak o recenziji nije dostupan, prikaz, stručni)
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38.‘Autorstvo, filmske adaptacije i strategije ženskoga filmskoga stvaralaštva Shelley Cobb, 2015, Adaptation, Authorship, and Contemporary Women Filmmakers, Basingstoke: Palgrave Macmillan.’ // Hrvatski filmski ljetopis, 86-87 (2016), 265-270 (podatak o recenziji nije dostupan, prikaz, stručni)
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39.Making Margins (in)Visible? Clothes, History, and Unconventional Women in Gillian Armstrong’s film adaptation of Peter Carey’s Oscar and Lucinda // Prvi međunarodni simpozij mladih anglista, kroatista i talijanista: Juriš na posljednje margine
Split, Hrvatska, 2016. (plenarno, neobjavljeni rad, znanstveni) -
40.How Sherlock Holmes Caught Jack the Ripper, or, the Curious History of the Production, Translation, and Consumption of Sherlock Holmes Appropriations // Consuming (the) Victorians: 2016 Annual Conference of the British Association for Victorian Studies
Cardiff, Ujedinjeno Kraljevstvo, 2016. (predavanje, međunarodna recenzija, sažetak, znanstveni) -
41.From a Neo-Victorian novel to a ‘Victorian’ film? Gillian Armstrong’s adaptation of Peter Carey’s Oscar and Lucinda // ESSE 2016 Annual Conference
Gaillimh, Irska, 2016. (predavanje, međunarodna recenzija, sažetak, znanstveni) -
42.Što čitamo kad čitamo Sherlocka Holmesa u hrvatskom prijevodu: originali, falsifikati i prijevodi popularne književnosti // Knjiga i društvo
Split, Hrvatska, 2016. (predavanje, međunarodna recenzija, sažetak, znanstveni) -
43.On Makeovers and Afterlives: Recent Books on Screen Adaptations of the Long Nineteenth Century // Adaptation, 9 (2016), 2; 249-256 doi:10.1093/adaptation/apw002 (podatak o recenziji nije dostupan, prikaz, ostalo)
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44.‘Why be normal?’ Clothes and the neo-Victorian queering of gender roles and family structures in film and TV // Dressing/Undressing the Victorians: Reading Victorian Clothes in Victorian and Neo- Victorian Contexts
Chester, Ujedinjeno Kraljevstvo, 2015. (predavanje, međunarodna recenzija, sažetak, znanstveni) -
45.“But you do misery so well!”: Cultural Stereotypes, Translation Politics and Croatian Literature in English // Translating the Literatures of Small European Nations
Bristol, Ujedinjeno Kraljevstvo, 2015. (pozvano predavanje, međunarodna recenzija, sažetak, znanstveni) -
46.‘Cultural Nostalgia, Orientalist Ideology and Heritage Film’ // The Politics of Adaptation: Media Convergence and Ideology / Hassler-Forest, Dan ; Nicklas, Pascal (ur.).
Basingstoke : New York (NY): Palgrave Macmillan, 2015. str. 35-49 -
47.‘Introduction: What is Global Neo-Victorianism?’ // Neo-Victorian studies, 8 (2015), 1; 1-16 (podatak o recenziji nije dostupan, članak, znanstveni)
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48.‘Other Victorians: Neo-Victorianism, Globalisation and Translation’ // Neo-Victorian studies, 8 (2015), 1; 48-76 (podatak o recenziji nije dostupan, članak, znanstveni)
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49.Neo-Victorianism and Globalisation: Transnational Dissemination of Nineteenth-Century Cultural Texts // Neo-Victorian studies, 8 (2015), 1. (podatak o recenziji nije dostupan, uredništvo, znanstveni)
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50.Kostimirani film baštine i njegova ograničenja : Mansfield Park Jane Austen u režiji Patricije Rozeme // Hrvatski filmski ljetopis, 20 (2014), 79/80; 7-21 (međunarodna recenzija, članak, znanstveni)
