Pregled po CROSBI profilu: Iva Polak (CROSBI Profil: 18284, MBZ: 247822)
Pronađeno 61 radova
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1.Miočević, PetarRepresentations of the French Revolution in Gunpowder Fantasy, 2023., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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2.Savić, JulijaPostcolonial Ecocriticism and the Post-Darwinian Animal Fable: Only the Animals by Ceridwen Dovey, 2023., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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3.Harašić, AnitaUtopian dream of dystopia in Brave New Word and Nineteen Eighty-four, 2023., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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4.Podnar, Antonia PetraWomen are just planets that attract the wrong species: An Exploration of Feminist Issues through Dystopia in Jeanette Winterson s The Stone Gods, 2023., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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5.Polak, IvaElastični polaritet humora u djelu Me, Antman & Fleabag australske Aboridžinske autorice Gayle Kennedy // Sic : časopis za književnost, kulturu i književno prevođenje (2023) (međunarodna recenzija, prihvaćen)
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6.Pleša, MiaWording Music in J. R. R. Tolkien’s Middle-earth Canon, 2022., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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7.Krčan, IrmaFeathers Floating on Fading Dreams: Reading the Swans in Alexis Wright's The Swan Book, 2022., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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8.Šurkalović, JosipaNeil Gaiman’s Subversive Fairy Tale Revisions - “Snow, Glass, Apples” and “The Sleeper and The Spindle”, 2022., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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9.Prebeg, DanijelThe Concept of Time Travel in The Time Machine and “A Sound of Thunder”, 2022., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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10.Geček, GoranEldritch Supernatural. A Study of Horror in H. P. Lovecraft's The Shadow over Innsmouth, 2022., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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11.Polak, IvaWording Mute Posthumanism in Alexis Wright’s The Swan Book // Antipodes: A Global Journal of Australian and New Zealand Literature, 36 (2022), 1; 107-121 (međunarodna recenzija, članak, znanstveni)
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12.Polak, IvaUnpunishable Crimes in Claire G. Coleman’s Futuristic Novel Terra Nullius // Humanities, 11/2 (2022), 47; 1-14 doi:10.3390/h11020047 (međunarodna recenzija, članak, znanstveni)
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13.Ivanković, BlažMonstrum in Animo : George Orwell’s Nineteen Eighty-Four as the Final Consequence of Political Idealism, 2021., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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14.Paleka, FrancescaThe Psychology of Film Music in the Filmography of Stanley Kubrick: Audio-Visual Analysis of The Clockwork Orange, The Shining, Eyes Wide Shut, 2021., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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15.Mušić, DinoHell in Beowulf and The Lord of the Rings, 2021., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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16.Radivoj, MonikaMagical realism and Australian-ness in Lisa Jacobson’s “The Master Builder’s Wife”, 2020., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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17.Polak, IvaUn/doing Climate Change in Alexis Wright’s The Swan Book and Ellen van Neerven’s “Water” // Green Matters: Ecocultural Functions of Literature / Loeschnigg, Maria ; Braunecker, Melanie (ur.).
Leiden : Boston (MA): Brill ; Rodopi, 2020. str. 185-200 -
18.Polak, IvaNative Apocalypse in Claire G. Coleman’s The Old Lie // Humanities, 9 (2020), 3; 1-13 doi:10.3390/h9030069 (međunarodna recenzija, članak, znanstveni)
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19.Vukasović, AnaMagical Realism and Historiography in Salman Rushdie's Midnight’s Children, 2019., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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20.Polak, IvaWright, Alexis The Swan Book // Cli-fi. A Companion / Goodbody, Axel ; Johns-Putra, Adeline (ur.).
Oxford (NY): Peter Lang, 2019. str. 217-222 -
21.Češljaš, RobertDystopian Framework of Sir Thomas More’s Utopia, Aldous Huxley’s Brave New World and George Orwell’s 1984: A Foucauldian Discourse Reading, 2018., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
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22.Polak, IvaIntimno putovanje kroz zemlju iza šume // Hrvatski filmski ljetopis, 24 (2018), 93-94; 211-214 (prikaz, stručni)
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23.Polak, IvaStubborn Dark Objects of the Future // Umjetnost riječi, 63 (2018), 3-4; 379-382 (prikaz, stručni)
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24.Polak, IvaThe Power of “feeling Nothing” in Wesley Enoch and Deborah Mailman’s play The 7 Stages of Grieving // Adaptation: Theory, Criticism and Pedagogy / Matek, Ljubica ; Uvanović, Željko (ur.).
Aachen: Shaker, 2018. str. 119-132 -
25.Grobenski, JelenaChristos Tsiolkas’ The Slap and (the Means of Uncovering) the Truth, 2017., diplomski rad, diplomski, Filozofski fakultet u Zagrebu, Zagreb
