Pregled bibliografske jedinice broj: 997789
The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis.
The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis. // Modern and Contemporary Artists’ Networks. An Inquiry into Digital History of Art and Architecture / Kolešnik, Ljiljana ; Horvatinčić, Sanja (ur.).
Zagreb: Institut za povijest umjetnosti, 2018. str. 82-122 doi:10.31664/9789537875596.05
CROSBI ID: 997789 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Transition of New Tendencies from Neo-Avant- Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis.
Autori
Kolešnik, Ljiljana
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Modern and Contemporary Artists’ Networks. An Inquiry into Digital History of Art and Architecture
Urednik/ci
Kolešnik, Ljiljana ; Horvatinčić, Sanja
Izdavač
Institut za povijest umjetnosti
Grad
Zagreb
Godina
2018
Raspon stranica
82-122
ISBN
978-953-7875-59-6
Ključne riječi
digital art history, social network visualization, social network analysis, spatial data analysis, New Tendencies, neo-avant-garde, art market
Sažetak
Case study of a complex networks phenomena, comprising for almost a rhyzomatic social structure that brings together artists of different generations, and with a different view on relation between art, science and technology which is in the focus of the international art movement New Tendencies. The growth of that structure is followed form the end of the 1958, and situation which slowly brings protagonists of the movement together, to its dissipation at the beginning of 1970. Particularly interesting is the relation between the conceptual art and information technology, revealed by the succession of network visualizations illustrating development of the movement. As the phenomena that is almost completely missing from art historical account on the post-war neo- avant-garde, it also points out to the epistemic usefulness of network analysis for art history, and its potential to bring to the fore contextual elements eliminated from dominant art-historical narratives. A particular intention is payed to the reflection of disputes, and ruptures in the Movement, and their relation to its visibility within the international art-mainstream. In that regard, and apart from statistics on number of large and travelling exhibitions dedicated to the promotion of kinetic, and optic art, particularly important is the spatial data analysis enriching the present knowledge of art history on the global expansion of New Tendencies.
Izvorni jezik
Engleski
Znanstvena područja
Informacijske i komunikacijske znanosti, Sociologija, Povijest umjetnosti
POVEZANOST RADA
Projekti:
HRZZ-IP-2013-11-6270 - Moderne i suvremene umjetničke mreže, umjetničke grupe i udruženja: Organizacijski i komunikacijski modeli suradničkih umjetničkih praksi 20. i 21. stoljeća (ARTNET) (Kolešnik, Ljiljana, HRZZ - 2013-11) ( CroRIS)
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Ljiljana Kolešnik
(autor)