Pregled bibliografske jedinice broj: 997058
Documentaries and Uljanik Shipyard: Kolos s Jadrana, Berge Istra and Godine hrđe
Documentaries and Uljanik Shipyard: Kolos s Jadrana, Berge Istra and Godine hrđe // 14th Congress of SIEF: Track Changes: Reflecting on a Transforming World
Santiago de Compostela, 2019. str. 275-275 (predavanje, nije recenziran, sažetak, znanstveni)
CROSBI ID: 997058 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Documentaries and Uljanik Shipyard: Kolos s Jadrana, Berge Istra and Godine hrđe
Autori
Matošević, ANdrea
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
14th Congress of SIEF: Track Changes: Reflecting on a Transforming World
/ - Santiago de Compostela, 2019, 275-275
Skup
14th Congress of SIEF "Track Changes: Reflecting on a Transforming World" (SIEF2019)
Mjesto i datum
Santiago de Compostela, Španjolska, 14.04.2019. - 17.04.2019
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
Brodogradilište Uljanik, Kolos s Jadrana, Berge Istra, Godine hrđe, dokumentarni filmovi
(Uljanik shipyard, Kolos s Jadrana, Berge Istra, Godine hrđe, documentary movies)
Sažetak
This paper will analyse three movies filmed in 1972 and 2000 in Pula's Uljanik shipyard: Kolos s Jadrana, Berge Istra and Godine hrđe that are among the most significant documentaries produced on one Croatia's shipyard. The theme of Kolos s Jadrana and Berge Istra is baptizing, launching and welding of stern and thrust of Berge Istra, the largest and most complex ship ever built in one of Adriatic shipyard in those years. Such technical and business success conditioned inattention to workers everyday life and neglecting to show the problems that were present during its construction. Their content is almost completely, with few significant opposite examples, dedicated to an ideal representation. A completely different situation is shown in Godine hrđe documentary, filmed in 2000. There the difficult everyday life of Uljanik cooperate workers is shown and representation has almost completely amputated the mention of an object, a ship whose successful dipping had to make its constructors complacent individuals. With awareness of Uljanik's serious current issues in production I will interpret these documentaries as highly significant traces in shipyards "public history" and its memory.
Izvorni jezik
Engleski
Znanstvena područja
Povijest, Etnologija i antropologija