Pregled bibliografske jedinice broj: 974134
Performing Autorship in the Work of Vinko Brešan (and Srđan Dragojević)
Performing Autorship in the Work of Vinko Brešan (and Srđan Dragojević) // ASEES, 2018 Annual Convention
Boston (MA), Sjedinjene Američke Države, 2018. (predavanje, podatak o recenziji nije dostupan, neobjavljeni rad, ostalo)
CROSBI ID: 974134 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Performing Autorship in the Work of Vinko Brešan (and Srđan Dragojević)
Autori
Gilić, Nikica
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, ostalo
Skup
ASEES, 2018 Annual Convention
Mjesto i datum
Boston (MA), Sjedinjene Američke Države, 06.12.2018. - 09.12.2018
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
autorship ; performance ; politics ; Vinko Brešan ; ideology ; Srđan Dragojević ; film
Sažetak
When discussing the performance (or performing) of autorship in cinema, it makes sense to take into account populist and popular authors (i.e. V. Brešan, S. Dragojević, E. Kusturice, etc.) who reach wider audience and attract more attention in a society (or in societies), thus enabling them to be more of an influence in the political sphere. It is interesting to notice that the work of Vinko Brešan (the most popular contemporary Croatian filmmaker) does not go beyond the mainstream ideologies of Croatia, which does not prevent certain cultural and political circles to consider him a left-wing extremist, entirely missing the point of his films. Srđan Dragojević in his transnational success of The Parade shows similar traits (and is similarly misunderstood by the left), while both directors fit the definition of auteur quite well.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
