Naslov
Beyond Formalism in Kant's Fine Art

Autori
Šustar, Predrag ; Vidmar, Iris

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Natur und Freiheit : Akten des XII. Internationalen Kant-Kongresses / Waibel, Violetta l. ; Ruffing, Margit ; Wagner, David ; Gerber, Sophie - Berlin : New York : Walter de Gruyter, 2018, 3105-3112

ISBN
978-3-11-046788-8

Skup
12th International Kant Congress “Nature and Freedom"

Mjesto i datum
Beč, Austrija, 21.09.2015. - 25.09.2015

Vrsta sudjelovanja
Ostalo

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
Kant, poetry, formalism, cognitivism, aesthetic ideas

Sažetak
Without denying Kant’s commitment to formalism – roughly, his claim that the formal features of works of art inspire the feeling of pleasure which grounds one’s aesthetic judgment – we argue that there are elements in his theory of fine art, developed in his Critique of the Power of Judgment, which suggest that he was more appreciative of art’s cognitive potential than strictly formalistic interpretations allow. In particular, his characterization of fine art, his account of aesthetic ideas and his reasons for declaring poetry’s supremacy amongst the arts suggest that the proper interpretation of Kant’s theory of art has to acknowledge a union between formal and cognitive aspects of artwork that he calls for. To show how these elements fit together, we analyse Robert Frost’s poem Design.

Izvorni jezik
Engleski

Znanstvena područja
Filozofija

POVEZANOST RADA