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Pregled bibliografske jedinice broj: 972729

Dubravka Ugrešić: Boundaries of (Post)Memory, Self, and Nation

Polić, Vanja
Dubravka Ugrešić: Boundaries of (Post)Memory, Self, and Nation // Women’s Narrative and the Postmemory of Displacement in Central and Eastern Europe / Mitroiu, Simona (ur.).
London : New York (NY) : Šangaj: Palgrave Macmillan, 2018. str. 173-196 doi:10.1007/978-3-319-96833-9

CROSBI ID: 972729 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
Dubravka Ugrešić: Boundaries of (Post)Memory, Self, and Nation

Autori
Polić, Vanja

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Women’s Narrative and the Postmemory of Displacement in Central and Eastern Europe

Urednik/ci
Mitroiu, Simona

Izdavač
Palgrave Macmillan

Grad
London : New York (NY) : Šangaj

Godina
2018

Raspon stranica
173-196

ISBN
978-3-319-96832-2

Ključne riječi
Ugrešić, re-collection, metafiction, national identity, memory, postmemory, The Museum of Unconditional Surrender, Baba Yaga Laid an Egg, Karaoke Culture, Nobody’s Home

Sažetak
The chapter analyzes the ways in which ex-Yugoslav/Croatian-Dutch writer Dubravka Ugrešić in The Museum of Unconditional Surrender, Baba Yaga Laid an Egg, Nobody’s Home and Karaoke Culture conceives self-imposed exile, displacement, loss of community, and ruptured individual and national identity regarding the breakup of Yugoslavia. Drawing on the concepts of postmemory, re-collection, metafiction and narrativization, the chapter examines how Ugrešić employs fictocriticism and narrative strategies of fragmentation, highly subjective narrator, ekphrasis (photograph as imagetext) and generic hybridity to dissect and re-member the mother-daughter relationship as a transgenerational bond. The latter reveals Ugrešić’s focal point for negotiating her personal identity related to her obsolete Yugoslav national identity and her sense of homelessness. The chapter concludes with the analysis of Ugrešić’s replacement of national with class identity.

Izvorni jezik
Engleski

Znanstvena područja
Filologija



POVEZANOST RADA

Ustanove:
Filozofski fakultet, Zagreb

Profili:

Avatar Url Vanja Polić Jurković (autor)

Poveznice na cjeloviti tekst rada:

doi www.palgrave.com

Citiraj ovu publikaciju:

Polić, Vanja
Dubravka Ugrešić: Boundaries of (Post)Memory, Self, and Nation // Women’s Narrative and the Postmemory of Displacement in Central and Eastern Europe / Mitroiu, Simona (ur.).
London : New York (NY) : Šangaj: Palgrave Macmillan, 2018. str. 173-196 doi:10.1007/978-3-319-96833-9
Polić, V. (2018) Dubravka Ugrešić: Boundaries of (Post)Memory, Self, and Nation. U: Mitroiu, S. (ur.) Women’s Narrative and the Postmemory of Displacement in Central and Eastern Europe. London : New York (NY) : Šangaj, Palgrave Macmillan, str. 173-196 doi:10.1007/978-3-319-96833-9.
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@inbook{inbook, author = {Poli\'{c}, Vanja}, editor = {Mitroiu, S.}, year = {2018}, pages = {173-196}, DOI = {10.1007/978-3-319-96833-9}, keywords = {Ugre\v{s}i\'{c}, re-collection, metafiction, national identity, memory, postmemory, The Museum of Unconditional Surrender, Baba Yaga Laid an Egg, Karaoke Culture, Nobody’s Home}, doi = {10.1007/978-3-319-96833-9}, isbn = {978-3-319-96832-2}, title = {Dubravka Ugre\v{s}i\'{c}: Boundaries of (Post)Memory, Self, and Nation}, keyword = {Ugre\v{s}i\'{c}, re-collection, metafiction, national identity, memory, postmemory, The Museum of Unconditional Surrender, Baba Yaga Laid an Egg, Karaoke Culture, Nobody’s Home}, publisher = {Palgrave Macmillan}, publisherplace = {London : New York (NY) : \v{S}angaj} }

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