Pregled bibliografske jedinice broj: 953897
Filming Non-Space: The Vanishing Point and The Face in Brook's King Lear
Filming Non-Space: The Vanishing Point and The Face in Brook's King Lear // Literature/Film Quarterly, 35 (2007), 2; 140-147 (međunarodna recenzija, članak, znanstveni)
CROSBI ID: 953897 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Filming Non-Space: The Vanishing Point and The Face in Brook's King Lear
Autori
Ryle, Simon
Izvornik
Literature/Film Quarterly (2573-7597) 35
(2007), 2;
140-147
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Shakespeare, King Lear, vanishing point, Levinas
Sažetak
This essay explores film adaptation of the famous Dover Cliff scene in King Lear. The negotiation of the concretized diegetic space of film is applied as an issue central to the adaptation of Shakespeare to the genre codes of film, especially problematized in the case of the self-conscious non-space of the Dover Cliff scene. The exploration of the spatial dynamics of the film adaptation is grounded in an investigation of the ethical implications of Edgar's protective improvisation, particularly with reference to the ontology of Emmanuel Lévinas.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne humanističke znanosti, Književnost
