Naslov
Reproducibility of figurative terms in musical discourse

Autori
Ostroški Anić, Ana ; Kiš Žuvela, Sanja

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
Europhras 2018 Book of abstracts: Reproducibility from a phraseological perspective: Structural, functional and cultural aspects / Szerszunowicz, Joanna et al. - Bialystok : University of Byalistok, 2018, 162-163

Skup
Europhras 2018: Reproducibility from a phraseological perspective: Structural, functional and cultural aspects

Mjesto i datum
Białystok, Poljska, 10.09.2018. - 12.09.2018

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
music, terminology, term formation, reproducibility, corpus query

Sažetak
Texts on music, musical reviews in particular, abound in figurative language units such as heavenly chord, skipping melody or gentle sound. Some of these collocations appear regularly enough in certain contexts in order to be considered fixed expressions both in general language discourse and in specialized discourse on music, i.e. to be defined as terms in musical terminology. To define a word or a multiword unit as a term denoting a unit of specialized knowledge, several criteria have to be met (Sager 1997), one of which is the fixedness or the reproducibility of the terminological unit in the same form in all specialized contexts. The paper analyses terminological potential of figurative multiword units or collocations containing basic musical terms such as melody, chord, sound, tempo and rhythm. By querying the concordances in Croatian general language corpora – Croatian National Corpus (HNK), Croatian Web Corpus (hrWaC) and Croatian Language Corpus (Riznica) – as well as analysing a specialized corpus compiled of Croatian professional and scientific journals on music Arti musices and Theoria, figurative terms common for both scientific and popular text registers will be determined. Considering the conceptual content of these collocations, it will be determined which collocations can be considered conceptually and linguistically reproducible in the sense that they represent “units of knowledge created by a unique combination of characteristics” (ISO 1087-1 2000: 2), so that they are not only viewed as figurative expressions in musical discourse, but can be labelled as proper musical terms. Since context is one of the determining factors (Cabré 2003) in term formation, the fixedness and the level of modification of extracted collocations will be analysed by taking into account the contextual variation conditioned by the type of text registers in which they appear.

Izvorni jezik
Engleski

Znanstvena područja
Filologija, Znanost o umjetnosti

POVEZANOST RADA