Pregled bibliografske jedinice broj: 950479
La projection au sol des espaces eleves du transept: le role des mosaiques de pavement medievales
La projection au sol des espaces eleves du transept: le role des mosaiques de pavement medievales // Le transept et ses espaces élevés dans l’église du Moyen Age (XIe-XVIe siècles). Pour une nouvelle approche fonctionnelle (archtecture, décor, liturgie et son) / Franzé, Barbara ; Le Luel, Nathalie ; Jurkovic, Miljenko (ur.).
Zagreb: Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS), 2018. str. 39-48
CROSBI ID: 950479 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
La projection au sol des espaces eleves du transept: le role des mosaiques de pavement medievales
(The ground projection of elevated spaces of the transept: the role of the medieval floor mosaics)
Autori
Barral i Altet, Xavier
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Le transept et ses espaces élevés dans l’église du Moyen Age (XIe-XVIe siècles). Pour une nouvelle approche fonctionnelle (archtecture, décor, liturgie et son)
Urednik/ci
Franzé, Barbara ; Le Luel, Nathalie ; Jurkovic, Miljenko
Izdavač
Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS)
Grad
Zagreb
Godina
2018
Raspon stranica
39-48
ISBN
978-953-6002-94-8
Ključne riječi
floor mosaics, dome, vaults, carpet, liturgical installations, transept, Ganagobie, San
Sažetak
Medieval floor mosaics exist in relationship with their architectural settings being subordinated to them. In some cases, the decorations imitate the projection of a dome or a vault, sometimes real carpets. Floor mosaics often indicate the localization of specific liturgical ceremonies and offices. Sometimes the disposal of such mosaics evocates monumental transepts, otherwise not elaborated in elevation or even not existing, by sumptuous decoration, as in Ganagobie or San Benedetto Polirone. The few preserved examples do not allow art historians to propose a list of images specially conceived for the floor of the transept. Probably the iconographic programs had the intention to explain the architectural unity of the space of the church.
Izvorni jezik
Fra
POVEZANOST RADA
Projekti:
HRZZ-IP-2013-11-6095 - Hrvatska srednjovjekovna baština u europskom kontekstu: mobilnost umjetnika i transfer oblika, funkcija i ideja (CROMART) (Jurković, Miljenko) ( CroRIS)