Pregled bibliografske jedinice broj: 933835
John of Plano Carpini vs Simon of Saint-Quentin: 13th-century Emotions in the Eurasian Steppe
John of Plano Carpini vs Simon of Saint-Quentin: 13th-century Emotions in the Eurasian Steppe // Golden Horde Review, 5 (2017), 3; 494-508 doi:10.22378/2313-6197.2017-5-3.494-508 (međunarodna recenzija, članak, znanstveni)
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Naslov
John of Plano Carpini vs Simon of Saint-Quentin: 13th-century Emotions in the Eurasian Steppe
Autori
Sardelić, Mirko
Izvornik
Golden Horde Review (2308-152X) 5
(2017), 3;
494-508
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
John of Plano Carpini, Simon of Saint-Quentin, mendicants, early papal missions to the East, 13th-century Mongol imaginary, apocalyptic literature, history of emotions
Sažetak
The aim of this paper is to show that in interpreting medieval European texts about the Mongols, one should combine approaches from various fields, including (but not limited to) history of emotions, cultural and literal history, anthropology, cross-cultural sociology, and others. Immediate and incorrect interpretations that the Mongols were cannibals or sodomites, as one could be tempted to hold from the account of Simon of Saint-Quentin, must be moderated from scholarly perspectives. These interpretations were the result of sediment layers of events in the 1240s: the violent contact of the Mongol armies with Western Christendom, contemporary Christian attempts to put the newcomers into known apocalyptic frameworks, and most probably the personal trauma of the author who had been threatened with death after an inaction with the Mongols, might be explained both as a cross-cultural misunderstanding and a display of power. Comparison of the two accounts, one written by John of Plano Carpini and the other by Simon of Saint-Quentin, the contextualization of these sources within 13th-century missionary literature, parallel analysis of the imagery, as well as reference to other contemporary texts on the Mongols, offer a sound starting point for a complex process of re-creating the imagined Mongol conceived by Europeans in the late Middle Ages. This imagined Mongol consists of hundreds of reused images ranging from the Classical antiquity and biblical texts to medieval prophecies, with a power to elicit the most powerful emotions by a single reference. Subtle interdisciplinary approach is always needed to avoid misinterpretations of often highly emotional images that can bring hope or sow hatred, depending on their (mis)use.
Izvorni jezik
Engleski
Znanstvena područja
Povijest
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)