Pregled bibliografske jedinice broj: 926485
Performing Yugonostalgia as post-memory: Nostalgia in N images
Performing Yugonostalgia as post-memory: Nostalgia in N images, 2012., diplomski rad, diplomski, School of Theatre & Performance Studies and Cultural & Media Policy Studies, Coventry, West Midlands, UK
CROSBI ID: 926485 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Performing Yugonostalgia as post-memory: Nostalgia in N images
Autori
Letunić, Ana
Vrsta, podvrsta i kategorija rada
Ocjenski radovi, diplomski rad, diplomski
Fakultet
School of Theatre & Performance Studies and Cultural & Media Policy Studies
Mjesto
Coventry, West Midlands, UK
Datum
20.12
Godina
2012
Stranica
46
Mentor
Silvija Jestrović
Ključne riječi
national identity, migrating histories, nostalgia, post-memory
Sažetak
This dissertation is the result of a module of practice-as- research, where the outcome was a performance Nostalgia in N images based on post-memory images that evoke Yugonostalgia. The starting point of the research was the interest in the phenomenon of nostalgia for Yugoslavia among younger generations that do not have a lived experience of the former country. While most authors dismiss nostalgia as ‘false’ and ‘irrelevant’, my argument is that Yugonostalgia can have an emancipatory potential since, during the 1990’s, the former Yugoslav countries underwent the ‘terror of forgetting’ in order for new nationalisms to arise and most of the socialist memory was ‘confiscated’. In the first part of the dissertation, I provide the reader with the historical context surrounding Yugoslavia, the formation of the pan-Yugoslav identity and its decay. Another argument I present is that the project of Yugoslavia in itself was a nostalgic idea since it contained desires of a viable supranational unity. Further on, I analyze the concepts surrounding nostalgia and post-memory, mostly relying on work by Svetlana Boym and Marriane Hirsch. After reflecting on the rise of regional artworks based on post-memory, I proceed with the presentation of my performancebased- practice process. Its particularity lies in the narrative transition from macro to micro histories and the questioning of the East/West binary.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne društvene znanosti, Interdisciplinarne humanističke znanosti, Kazališna umjetnost (scenske i medijske umjetnosti)
POVEZANOST RADA