Pregled bibliografske jedinice broj: 919657
Tableau in Film History: Attractions to Andersson, Godard to Reichardt
Tableau in Film History: Attractions to Andersson, Godard to Reichardt // VI. International Congress of Art History Students
Zagreb, Hrvatska, 2017. str. 22-22 (plenarno, podatak o recenziji nije dostupan, sažetak, ostalo)
CROSBI ID: 919657 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Tableau in Film History: Attractions to Andersson, Godard to Reichardt
Autori
Tomić, Janica
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, ostalo
Skup
VI. International Congress of Art History Students
Mjesto i datum
Zagreb, Hrvatska, 08.11.2017. - 10.11.2017
Vrsta sudjelovanja
Plenarno
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
film, tableau, death, stillness, work, spectacle, female gaze
Sažetak
The paper examines the meanings of tableau, as articulated by film theory and practice. A dominant of early cinema, cinematic tableau became the abject form of later film history, with connotations of death, stillness, work, spectacle, etc. Examples will range from Jean-Luc Godard's Passion (1982) to Jessica Hausner’s Amour Fou (2014) or the TV-series The Handmaid's Tale (2017-), including the writings by Laura Mulvey, Annette Michelson, Peter Greenaway and others.
Izvorni jezik
Engleski
