Pregled bibliografske jedinice broj: 918210
Académie André Lhote and Croatian Painting Between the Two World Wars
Académie André Lhote and Croatian Painting Between the Two World Wars // French Artistic Culture and Central-East European Modern Art / Kolešnik, Ljiljana ; Bjažić Klarin, Tamara (ur.).
Zagreb: Institut za povijest umjetnosti, 2017. str. 86-97
CROSBI ID: 918210 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Académie André Lhote and Croatian Painting Between
the Two World Wars
Autori
Magaš Bilandžić, Lovorka
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
French Artistic Culture and Central-East European Modern Art
Urednik/ci
Kolešnik, Ljiljana ; Bjažić Klarin, Tamara
Izdavač
Institut za povijest umjetnosti
Grad
Zagreb
Godina
2017
Raspon stranica
86-97
ISBN
978-953-7875-35-0
Ključne riječi
Académie André Lhote, Cubism, painting, Sava Šumanović, Sergije Glumac, Sonja Kovačić Tajčević, interwar period
Sažetak
The French painter, art critic and teacher André Lhote (1885−1962) exerted a significant influence on Croatian / Yugoslavian art between the two World Wars and played a crucial role in the formation of local version of Cubism. Several artists like Sava Šumanović, Sergije Glumac, Sonja Kovačić Tajčević, Oton Postružnik, Vera Nikolić Podrinska and others attended his courses at different Paris private schools or frequented Académie André Lhote in the 1920s and became well acquainted with Lhote's method and Cubist lexicon, his stylization géométrique and analytical approach to painting. Lhote’s contribution to Croatian / Yugoslav interwar art is evident primarily through the works of his students who applied his theoretical principles, but also remained faithful to their individual artistic endeavours, thus enriching the artistic production of their homeland by implementing the aesthetic of Cubism and introducing new approach to the construction of painting.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti