Naslov
Models and Ideas in the Theoretical Thinking of Giuseppe Michele Stratico

Autori
Konfic, Lucija

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Glazbene migracije u rano moderno doba: ljudi, tržišta, obrasci i stilovi = Music Migrations in the Early Modern Age: People, Markets, Patterns and Styles / Katalinić, Vjera - Zagreb : Hrvatsko muzikološko društvo, 2016, 271-281

ISBN
978-953-6090-55-6

Skup
Music Migration in the Early Modern Age: People, Markets, Patterns, Styles

Mjesto i datum
Zagreb, Hrvatska, 13.10.2014. - 14.10.2014

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
Giuseppe Michele Stratico ; Giuseppe Tartini ; Francescantoanio Vallotti ; Julije Bajamonti ; music theory ; 18th century

Sažetak
As can be seen in many treatises of the 18th century, communication between Italy and France in the field of music theory was of crucial importance. Ideas were spread out, accepted, criticized, and disputed. In this context we can look on the work of Giuseppe Michele Stratico (1728-1783), composer and writer on music from Zadar (of Greek origin), the case study of this paper. He started his reasoning on music theory from the works of his teacher Giuseppe Tartini, Trattato di musica (Padua, 1754) and De’ principi dell’armonia contenuta nel diatonico genere (Padua, 1767). Developing his ideas, as we can see in several different versions of his Trattato di musica, he also used works by other respectable music theorists, for ex. Francescantonio Vallotti, notes on whose treatise Della scienza teorica, e pratica della moderna musica (Padua, 1779) we can find among Stratico's manuscripts. From these starting points many questions arise: What ideas of his predecessors and/or contemporaries did Stratico use? What ideas he accepted and which ones he changed or rejected? This presentation will offer possible answers to these questions using examples of some basic definitions in music theory of the second half of the 18th century (consonance, dissonance, temperament) in order to see where is Stratico’s place in the music-theoretical communication of his time. Additionally, an example will be given of the transfer of these ideas in Croatia, in the case of Giulio Bajamonti (1744-1800) and his Dictionary of music.

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti

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