Pregled bibliografske jedinice broj: 872900
She is so old and dangerous: witch, (popular) culture and feminist gerontology
She is so old and dangerous: witch, (popular) culture and feminist gerontology // Cultural narratives, processes and strategies in representations of age and aging / Kriebernegg, Ulla ; Ratzenbock, Barbara ; Ursulesku, Oana (ur.).
Graz: University of Graz, Center for Inter-American Studies, 2017. str. 272-273 (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
She is so old and dangerous: witch, (popular) culture and feminist gerontology
Autori
Geiger Zeman, Marija ; Zeman, Zdenko ; Holy, Mirela
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Cultural narratives, processes and strategies in representations of age and aging
/ Kriebernegg, Ulla ; Ratzenbock, Barbara ; Ursulesku, Oana - Graz : University of Graz, Center for Inter-American Studies, 2017, 272-273
Skup
Cultural narratives, processes and strategies in representations of age and aging
Mjesto i datum
Graz, Austrija, 27.04.2017. - 30.04.2017
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
ageing, femininity, witch figure, feminist gerontology
Sažetak
The witch is a polysemic and multiple encoded heroine whose semantic transformation is interesting to analyze particularly from the perspective of cultural and feminist gerontology as well as the study of popular culture. In patriarchal perspective, witches are coded as the Other (mythical or concrete) persons that, by their appearance, dressing, lifestyle choices, preferences or chronological age, fit into the various sexist, ageist and gender stereotypes that have permeated the traditional, pre-modern culture but to a certain extent (in more or less modified form) exist even today. The notions of witches in popular culture of the last century experienced a significant metamorphosis. The traditional concept of witches as physically unattractive, sometimes deformed old women in the entertainment industry has undergone a radical visual makeover – she became a young and physically attractive, emphatically sexualized temptress. The central place in the analysis is occupied by the movie Snow White and the Huntsman (2012, dir. Rupert Sanders), who through reinterpretation of the famous fairy tale offers postfeminist presentation of the evil stepmother obsessed with eternal youth and beauty as a major life capital. This feminist ambivalent film interpretation proves to be highly problematic and opens up a range of feminist gerontology crucial issues. Given that the witch as a social construct points out the complex connections of aging/old age and culture, the paper examines the possibility of new codings and interpretations of the character of the witch beyond ageist and sexist logic (Ray, 2003), where this interesting figure is re- thought in relation to two romanticized, stereotypical and restrictive ideas – good, dear, sweet granny and wise, proud and powerful old woman (crone) (Cruikshank, 2009).
Izvorni jezik
Engleski
Znanstvena područja
Sociologija
POVEZANOST RADA
Ustanove:
Institut društvenih znanosti Ivo Pilar, Zagreb