Pregled bibliografske jedinice broj: 847579
Notes and sounds by Marianne Bröcker: La petite Tonkinoise - From a Cabaret-Song to a 'National Tanz'
Notes and sounds by Marianne Bröcker: La petite Tonkinoise - From a Cabaret-Song to a 'National Tanz' // Tanz, Performance, Musikinstrument. Annual Symposium of the Germany National Committee within the ICTM
Weimar: Liszt School of Music Weimar, 2014. str. 10-11 (pozvano predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
Notes and sounds by Marianne Bröcker: La petite Tonkinoise - From a Cabaret-Song to a 'National Tanz'
Autori
Miholić, Irena ; Zebec, Tvrtko
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Tanz, Performance, Musikinstrument. Annual Symposium of the Germany National Committee within the ICTM
/ - Weimar : Liszt School of Music Weimar, 2014, 10-11
Skup
Tanz, Performance, Musikinstrument. Annual Symposium of the Germany National Committee within the ICTM
Mjesto i datum
Weimar, Njemačka, 28.11.2014. - 29.11.2014
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
dance; music; performance; La petite Tonkinoise
Sažetak
Preparing a part of the panel for the Vienna ICTM World Conference in 2007 Marianne Bröcker wrote: "Before Joséphine Baker took up this song in the 1920's it was already widespread in Germany as a song with different lyrics and the melody became later on even a 'National' dance in some regions, a sign for the multi-usability of this melody, which was also thought to be of Brittan (Northwest France) origin." Marianne accepted and planned to be a part of the panel "La petite Tonkinoise: A widespread music and dance virus" that we organised in Vienna, two years after the Sheffield ICTM World Conference. Cachy melody that some members of our Study Group on Ethnochoreology recognised and start to sing in Greek or other thought that can be a Romanian operetta, or maybe a composition by Offenbach, was an anegdotal initial interest that we presented at the Vienna's Conference, unfortunately without Marianne who canceled her participation. In this paper we would like to present her "notes and sounds" about German versions of the melody in the context of our mutual cross-cultural research.
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija
POVEZANOST RADA
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb