Pregled bibliografske jedinice broj: 847578
Reinterpreting (national) intangible heritage: How do we present ourselves?
Reinterpreting (national) intangible heritage: How do we present ourselves? // ABSTRACTS and PROGRAM BOOKLET, 28th Symposium of the ICTM Study Group on Ethnochoreology, 7-17 July 2014, Korčula, Croatia / Dunin, Elsie Ivancich (ur.).
Zagreb: ICTM Study Group on Ethnochoreology ; Institute of Ethnology and Folklore Research, 2014. str. 37-37 (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
Reinterpreting (national) intangible heritage: How do we present ourselves?
Autori
Zebec, Tvrtko
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
ABSTRACTS and PROGRAM BOOKLET, 28th Symposium of the ICTM Study Group on Ethnochoreology, 7-17 July 2014, Korčula, Croatia
/ Dunin, Elsie Ivancich - Zagreb : ICTM Study Group on Ethnochoreology ; Institute of Ethnology and Folklore Research, 2014, 37-37
Skup
28th Symposium of the ICTM Study Group on Ethnochoreology, 7- 17 July 2014, Korčula, Croatia
Mjesto i datum
Korčula, Hrvatska, 07.07.2014. - 17.07.2014
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
intangible cultural heritage
Sažetak
After a long process of negotiation Croatia has become a member state of the European Union at the July 1, 2013. On that occasion, there was a huge project of public ceremony, multimedial bricolage organized at the main square in Zagreb, our capital. Artistic director of the broadcasted program was young and respectful theater director. She primarily imagined and compiled program “for domestic audience and than for the Others”. Following the order by the Croatian Government she found intangible cultural heritage as the salutary backbone for the program. A year earlier, our younger colleague ethnologist and choreologist was invited to be a co- author of the scenario for the main celebration of the Statehood Day in Slovenia. He advocated for public emancipation of the “folklore activities”. According to these and some other examples we can ask ourselves: How do we present ourselves nowadays? Are we now in the new age of nationalisation, rebuilding or reinterpreting our national identities and states in the European Union? How dance and music as cultural heritage can be used in construction of local and national identities and, at the same time, serve as the best way for promotion of cultural diversity and intercultural dialogue?
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija
POVEZANOST RADA
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Tvrtko Zebec
(autor)