Pregled bibliografske jedinice broj: 84516
In Between Ethnomusicological and Social Canons: Historical Sources on Women Players of Folk Music Instruments in Croatia.
In Between Ethnomusicological and Social Canons: Historical Sources on Women Players of Folk Music Instruments in Croatia. // Narodna umjetnost. Hrvatski časopis za etnologiju i folkloristiku., 38 (2001), 1; 21-40 (podatak o recenziji nije dostupan, članak, znanstveni)
CROSBI ID: 84516 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
In Between Ethnomusicological and Social Canons: Historical Sources on Women Players of Folk Music Instruments in Croatia.
Autori
Ceribašić, Naila
Izvornik
Narodna umjetnost. Hrvatski časopis za etnologiju i folkloristiku. (0547-2504) 38
(2001), 1;
21-40
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
folk music; women musicians; history; Croatia
Sažetak
Women players' invisibility in ethnomusicology has been an outcome of the ethnomusicological limitation to folk music, its products and its most prominent representatives. As for social canons, their positions as members of a family and as participants in national-integrating and modernizing processes in the second half of 19th and the first half of 20th century made it possible for their musicianship to prevail over their gender. The remaining positions were based precisely on certain stereotypes on women or on the (self)negation of serious musicianship.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija
POVEZANOST RADA
Projekti:
01890102
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Naila Ceribašić
(autor)
Citiraj ovu publikaciju:
Uključenost u ostale bibliografske baze podataka::
- Ulrich
- RILM
- MLA
- DEMOS
