Pregled bibliografske jedinice broj: 804627
Harold Pinter in Croatia: A Critical Reception Oscillating between the Labels of ‘Absurdist’ and ‘Pinteresque’
Harold Pinter in Croatia: A Critical Reception Oscillating between the Labels of ‘Absurdist’ and ‘Pinteresque’ // Highlights in Anglo-American Drama: Viewpoints from Southeast Europe / Bratić, Vesna ; Nastić, Radmila (ur.).
Newcastle upon Tyne: Cambridge Scholars Publishing, 2016. str. 181-198
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Naslov
Harold Pinter in Croatia: A Critical Reception Oscillating between the Labels of ‘Absurdist’ and ‘Pinteresque’
Autori
Sindičić Sabljo, Mirna
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Highlights in Anglo-American Drama: Viewpoints from Southeast Europe
Urednik/ci
Bratić, Vesna ; Nastić, Radmila
Izdavač
Cambridge Scholars Publishing
Grad
Newcastle upon Tyne
Godina
2016
Raspon stranica
181-198
ISBN
978-1-4438-8682-6
Ključne riječi
Harold Pinter, Croatian theatre, Reception, Theatre of the Absurd, Pinteresque
Sažetak
A detailed overview of Pinter’s reception and criticism in Croatia was recently undertaken by Acija Alfirević (2014, 89-102). Hence, the aim of this paper is to determine whether, and in what way, labels such as Martin Esslin’s label of the Theatre of the Absurd, facilitated, directed and regulated the reception of Pinter in Croatia. The second aim of this paper is to provide a historical and cultural background for the reception and to highlight the turning points in the critical and theatrical reception of Pinter’s drama in Croatia in the context of the various labels associated with his name.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
