Pregled bibliografske jedinice broj: 803527
Theory of Contemporary Art: Lines and Curves (Boris Groys, Dieter Mersch, W.J.T.Mtchell)
Theory of Contemporary Art: Lines and Curves (Boris Groys, Dieter Mersch, W.J.T.Mtchell) // Europpean Theories in Former Yugoslavia: Trans- Theory Relations between Global and Local Discourses / Šuvaković Miško, Cvejić Žarko i Filipović Andrija (ur.).
Newcastle: Cambridge Scholars Publishing, 2015. str. 128-134
CROSBI ID: 803527 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Theory of Contemporary Art: Lines and Curves (Boris Groys, Dieter Mersch, W.J.T.Mtchell)
Autori
Paić, Žarko
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, ostalo
Knjiga
Europpean Theories in Former Yugoslavia: Trans- Theory Relations between Global and Local Discourses
Urednik/ci
Šuvaković Miško, Cvejić Žarko i Filipović Andrija
Izdavač
Cambridge Scholars Publishing
Grad
Newcastle
Godina
2015
Raspon stranica
128-134
ISBN
978-1-4438-7720-6
Ključne riječi
theory, contemporary art, aesthetics, paradigms
Sažetak
Art in all historical epochs has the task of being more than art. It can never be either autonomous or heteronomous. It can never serve just itself or some other purposes. Nor can it be reduced just to the aesthetic truth, experience, incidence. Social revolutions and historical events that change the manner of life of people hence are not superordinate for an insight the being of artistic practice. Contemporary theoretical attempts to open the new horizons in aestehtics and visual arts (Groys-Mersch-Mitchell) shows that paths beyond the traditional metaphysical solutions are mainly interconnected with the question of methods and epistemological innovations.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
