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Pregled bibliografske jedinice broj: 776995

Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit


Magaš Bilandžić, Lovorka
Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit // Symposium "Collaborative Artist Networks in the Twentieth Century and Beyond"
Bremen, Njemačka, 2015. (predavanje, nije recenziran, neobjavljeni rad, znanstveni)


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Naslov
Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit

Autori
Magaš Bilandžić, Lovorka

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni

Skup
Symposium "Collaborative Artist Networks in the Twentieth Century and Beyond"

Mjesto i datum
Bremen, Njemačka, 06.07.2015. - 08.07.2015

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Nije recenziran

Ključne riječi
Vjera Biller; avant-garde; print; Zenit; Ma; Der Sturm

Sažetak
During the interwar period artist Vjera Biller participated in some of the most interesting events that were happening all across Europe. She presented her work for the first time as a teenager in 1918 in Budapest at the "MA exhibition of graphic art" together with the leading protagonists of Hungarian avant-garde. While living in Berlin in the early 1920s she was close to the circle of Herwarth Walden and participated in several exhibitions in his Der Sturm gallery. During the 1920s and 1930s she exchanged letters with Ljubomir Micić, the editor of the avant-garde magazine "Zenit", who exhibited and published her work (1924, 1926). Although today the majority of her oeuvre is lost and only a small number of prints and drawings from the 1920s have been preserved, it reveals Vjera Biller's interests, artistic sensibility for stylization of form and a special type of visual narration. The paper will consider the work of Vjera Biller in the context of the international avant-garde movement and as an example of networking principle that marked the most progressive art currents of the period.

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti



POVEZANOST RADA


Ustanove:
Filozofski fakultet, Zagreb

Profili:

Avatar Url Lovorka Magaš Bilandžić (autor)


Citiraj ovu publikaciju:

Magaš Bilandžić, Lovorka
Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit // Symposium "Collaborative Artist Networks in the Twentieth Century and Beyond"
Bremen, Njemačka, 2015. (predavanje, nije recenziran, neobjavljeni rad, znanstveni)
Magaš Bilandžić, L. (2015) Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit. U: Symposium "Collaborative Artist Networks in the Twentieth Century and Beyond".
@article{article, author = {Maga\v{s} Biland\v{z}i\'{c}, Lovorka}, year = {2015}, keywords = {Vjera Biller, avant-garde, print, Zenit, Ma, Der Sturm}, title = {Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit}, keyword = {Vjera Biller, avant-garde, print, Zenit, Ma, Der Sturm}, publisherplace = {Bremen, Njema\v{c}ka} }
@article{article, author = {Maga\v{s} Biland\v{z}i\'{c}, Lovorka}, year = {2015}, keywords = {Vjera Biller, avant-garde, print, Zenit, Ma, Der Sturm}, title = {Vjera Biller and the International Avant-garde in the 1910s and 1920s − at the Crossroads between MA, Der Sturm and Zenit}, keyword = {Vjera Biller, avant-garde, print, Zenit, Ma, Der Sturm}, publisherplace = {Bremen, Njema\v{c}ka} }




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