Pregled bibliografske jedinice broj: 776993
Rethinking the Stage in the 1920s: The Influence of the Bauhaus and the International Theatrical Avant-garde in Croatia and Slovenia
Rethinking the Stage in the 1920s: The Influence of the Bauhaus and the International Theatrical Avant-garde in Croatia and Slovenia // Avgust Černigoj - in the Network of European Constructivism / Sterle Vurnik, Barbara (ur.).
Škofja Loka: Loški muzej Škofja Loka, 2015. str. 90-94
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Naslov
Rethinking the Stage in the 1920s: The Influence of the Bauhaus and the International Theatrical Avant-garde in Croatia and Slovenia
Autori
Magaš Bilandžić, Lovorka
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Avgust Černigoj - in the Network of European Constructivism
Urednik/ci
Sterle Vurnik, Barbara
Izdavač
Loški muzej Škofja Loka
Grad
Škofja Loka
Godina
2015
Raspon stranica
90-94
ISBN
978-961-6727-31-0
Ključne riječi
avant-garde, theatre, stage design, Bauhaus, Avgust Černigoj, Sergije Glumac
Sažetak
The first decades of the 20th century were marked by significant changes in all areas of artistic development and a search for new means of expression. Theatre has assumed a new importance for avant-garde artists and became a kind of laboratory and testing ground for theories and innovative concepts of Russian Constructivists, Italian Futurists, Bauhaus artists and many others. The search for a new type of theatre included experiments with mechanic, plastic and marionette theatre, moving scenery and kinetic stage as well as redefinition of the play and performance. In realized and imagined projects of Bauhaus artists and other key protagonists of international avant-garde, actors were transformed into robotic, puppet-like figures and dancing automatons suggesting depersonalized and mechanized humanity or disappeared in theatrical performances reduced to the interplay of forms, colours and lights on the stage. The paper examines the transfer of influences of the 1920s international theatrical avant-garde and the reception of new tendencies in the Kingdom of Serbs, Croats and Slovenes. Special emphasis is put on theatrical experiments and rethinking of the stage in the work of Bauhaus student Avgust Černigoj and Croatian artist Sergije Glumac. Their search for the "new theatre" and non-illusionistic stage surpasses the local scene − it is a part of the key avant-garde currents which marked the 1920s and redefined the perception of performing arts of the period.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
Napomena
Radi se o engleskom prijevodu knjige "Avgust Černigoj - v mreži evropskega konstruktivizma".