Naslov
Multiperspektivität in der modernen Erkenntnistheorie und Erzählkunst
(Multiperspectivism in modern epistemology and narrative art)

Autori
Zelić, Tomislv

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, ostalo

Knjiga
Perspektivität – Perspektivierung. Beziehung zwischen Sprache und Wirklichkeit in der deutschen Sprache, der deutschsprachigen Literatur, Kultur, Translatologie und DaF- Didaktik

Urednik/ci
Abrashi, Teuta ; Blakaj-Gashi, Albulena ; Ismajli, Blertë

Izdavač
Filozofski fakultet Univerziteta u Prištini

Grad
Priština

Godina
2014

Raspon stranica
189-204

ISBN
978-9951-00-167-0

Ključne riječi
Multiperspektivität, Epistemologie, Erzähltheorie, Narratologie, Moderne, Roman
(multiperspectivity, epistemology, narratology, modernism, novel)

Sažetak
This paper reconstructs the concept of multiperspectivity in modern philosophical epistemology in the first part and it gives a narratological account of modern German novels in the second part. Following the Enlightenment historiographer Chladenius, it demonstrates that history dissolves into many divergent stories told by contemporary witnesses and that it is the historiographer’s task to recomposes history from these stories. Following the classical philologist and modernist philosopher Nietzsche, it reconstructs the skeptical philosophy of language and the theory of multiperspectivity. On the basis of these historiographical and linguistic considerations, it argues that classical modernist novels by Alfred Döblin, Robert Musil and Hermann Broch, Franz Kafka and Thomas Mann feature simultaneous multiperspectivity by contrast to earlier novels from the age of Goethe and poetic realism in the 19th century with their sequential multiperspectivity.

Izvorni jezik
Ger

Znanstvena područja
Filozofija, Filologija, Povijest

POVEZANOST RADA