Pregled bibliografske jedinice broj: 747239
Self-Promotion and Representation of the Habsburg Dynasty in the Peripheral Regions of the Austrian Empire
Self-Promotion and Representation of the Habsburg Dynasty in the Peripheral Regions of the Austrian Empire // ACAF-ART, Materials d’Investigació 2, 2014 / Creixell, Rosa Maria ; March, Eva ; Narváez, Carme (ur.).
Barcelona: ACAF-ART LLIBRES, 2014. str. 40-45 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 747239 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Self-Promotion and Representation of the Habsburg Dynasty in the Peripheral Regions of the Austrian Empire
Autori
Repanić-Braun, Mirjana
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
ACAF-ART, Materials d’Investigació 2, 2014
/ Creixell, Rosa Maria ; March, Eva ; Narváez, Carme - Barcelona : ACAF-ART LLIBRES, 2014, 40-45
Skup
IDENTITAT, PODER I REPRESENTACIÓ:ELS NACIONALISMES EN L’ART
Mjesto i datum
Barcelona, Španjolska, 22.10.2014. - 25.10.2014
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Promotion; self-promotion; Habsburg dynasty
Sažetak
The paper will focus on the promotion and self- promotion Habsburg dynasty in the peripheral regions of the Austrian Empire in the period of the early 17th century to the ages of enlightened absolutism, the reign of Maria Theresa and Joseph II. References to the iconography of the 17th and 18th century’s artworks are predominantly considering the significance and the transformation of artistic discourse and the role of patronage in the iconography after the Council of Trent. In that respect artworks are exclusively interpreted on the topic of their role of propaganda fide, while some other aspects of artworks are often overlooked, especially in the sphere of self- promotion. Theme of patronage as an instrument of self-promotion and the church space as a testing ground to promote the status, origin and credo of prelates, high nobility and wealthy citizens, partly involves redefining sacred space as the exclusive place of spirituality, and its reinterpretation in terms of self-promotion of donors. As the most common instrument of self-promotion in the sacral area stand out their emblems, exposing their socio- political position in the society of the time and their role in a particular environment. In Northern Croatia, the historical margin of the Austrian monarchy, the rule of Maria Theresa and Joseph II left tangible traces in the newly built churches and the donated inventory (altarpieces, liturgical vessels and clothes) by which they emphasized their dominance, shaping in the same time cultural and visual identity of the Croatian historical space between the 1740ies and 1780ies.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Mirjana Repanić Braun
(autor)