Naslov
Theory of Contemporary Art: Lines and Curves Post-History and the Discomforts of Periodization

Autori
Paić, Žarko

Izvornik
Phainomena (1318-3362) 23 (2014), 88-89; 217-236

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Key words: contemporary art; theory; politics; ideology; iconic turn; image; aesthetics

Sažetak
Art in all historical epochs has the task of being more than art. It can never be either autonomous or heteronymous. It can never serve just itself or some other purposes. Nor can it be reduced just to the aesthetic truth, experience, incidence. Social revolutions and historical events that change the manner of life of people hence are not superordinate for an insight into the being of artistic practice. In the event of what has for a half a century by now been called contemporary art, the problem is radicalised. Unlike modern art, which reposes on the idea of autonomy, contemporary art endeavours to put into practice the essence of the avant-garde art of the first half of the 20th century. It attempts, that is, artistically to revolutionise the social conditions of the self-generation of art.

Izvorni jezik
Engleski

Znanstvena područja
Filozofija

POVEZANOST RADA