Pregled bibliografske jedinice broj: 713761
Man Cut in Two Virtual and Surreal in Bergson’s and Breton’s Notion of Image
Man Cut in Two Virtual and Surreal in Bergson’s and Breton’s Notion of Image // Ikon (Rijeka), 7 (2014), 85-97 (međunarodna recenzija, članak, znanstveni)
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Naslov
Man Cut in Two Virtual and Surreal in Bergson’s
and Breton’s Notion of Image
Autori
Mijatović, Aleksandar
Izvornik
Ikon (Rijeka) (1846-8551) 7
(2014);
85-97
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
nadrealno ; virtualno ; slika
(surreal ; virtual ; image)
Sažetak
The essay focuses on the relation between Breton's notions of poetic image and interior model and Bergson's notion of the image. Bergson's notion of the image turns dream, memory and perception into creative and dynamical processes which cannot be reduced to pure representation. Similarly, Breton's notions of poetic image and modèle intérieur displace the metaphorical model of poetic language and the representational model of painting. As a conclusion, it is argued for proximity between notions of surreal and virtual.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
Citiraj ovu publikaciju:
Časopis indeksira:
- Scopus
Uključenost u ostale bibliografske baze podataka::
- Art Literature International - RILA
