Pregled bibliografske jedinice broj: 698223
Harmony of Spheres and Harmonic Proportions in Architecture with a review of Croatian Renaissance examples
Harmony of Spheres and Harmonic Proportions in Architecture with a review of Croatian Renaissance examples // Proceedings of the 2nd International Conference for PhD Music Students / Yannacoupolou, Josephine ; Kyriakidou, A (ur.).
Solun: Aristotle University of Thessaloniki, 2009. str. 222-229 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 698223 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Harmony of Spheres and Harmonic Proportions in
Architecture with a review of Croatian
Renaissance examples
Autori
Kiš Žuvela, Sanja
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Proceedings of the 2nd International Conference for PhD Music Students
/ Yannacoupolou, Josephine ; Kyriakidou, A - Solun : Aristotle University of Thessaloniki, 2009, 222-229
Skup
2nd International Conference for PhD Music Students
Mjesto i datum
Solun, Grčka, 11.02.2009. - 13.02.2009
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
harmony ; consonance ; proportion ; Renaissance ; philosophy ; architecture ; Croatia
Sažetak
The idea of harmony as a vis naturalis balancing the contraries in a holistic system, which was introduced to Western philosophy by the Pythagoreans, but was probably conceived among the earlier highcultures of antiquity, has influenced the aesthetic canons of art and architecture for more than two and a half millennia. Reaching its classical form during the golden age of Ancient Greece, it has been reinterpreted by Roman and Arabic philosophers and has become immanent to music theory – a discipline of the quadrivium aiming to explain the nature of the world as a whole and the nature of each of its constituent parts. Mediaeval philosophers inherited from Boethius the concept of harmony and numeric proportions derived from the musical consonances and incorporated it into the foundations of Christian doctrine.Italian Renaissance masters such as Giovanni Battista Alberti and Andrea Palladio synthesized the ancient and mediaeval harmonic knowledge into an integral aesthetic system, applying the musical harmonic proportions to architecture in theory and practice. Theories describing the idea of world harmony can be found innumerous treatises by various Mediterranean authors, including Croatian Renaissance philosophers Federico Grisogono Bartolačić, Frane Petrić and Miho Monaldi. Croatian Renaissance architecture also echoes the said concepts in a number of examples, such as St. John Ursini’s Chapel in the Cathedral of Trogir, built between 1468 and 1489 by Andrija Aleši and Niccolò di Giovanni Fiorentino.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti, Znanost o umjetnosti
