Pregled bibliografske jedinice broj: 684503
Das aufgeschobene Ende: Versuch über die Musik Morton Feldmans
Das aufgeschobene Ende: Versuch über die Musik Morton Feldmans // Musik & Ästhetik, 9 (2006), 38; 58-66 (međunarodna recenzija, članak, znanstveni)
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Naslov
Das aufgeschobene Ende: Versuch über die Musik Morton Feldmans
(The Delayed End: Essay on the music of Morton Feldman)
Autori
Davidović, Dalibor
Izvornik
Musik & Ästhetik (1432-9425) 9
(2006), 38;
58-66
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Modernismus ; jüdische Identität ; Ambient music ; Kunstende
(modernism ; Jewish identity ; ambient music ; the end of art)
Sažetak
The ambiguity of Morton Feldman’s music lies in the fact that it must divest itself of all traces of what is not »the music itself« in order to realise the musically »absolute«, yet fails precisely through that realisation. This allows us to read the traces of the contingent within it. And they have been read in different ways, to the effect that this music sometimes appeared as art, as »modern« art, on other occasions as the expression of a cultural particularity, or indeed finally as »ambiental". In all this, it must be left open whether it has thus already moved beyond the end of art, or is rather delaying that end.
Izvorni jezik
Ger
Znanstvena područja
Znanost o umjetnosti
