Pregled bibliografske jedinice broj: 663208
Symbolism of Light in Early Byzantine Art
Symbolism of Light in Early Byzantine Art // Art History - The Future is Now. Studies in Honour of Professor Vladimir P. Goss / Cepetić, Maja ; Dujmović, Danko ; Jukić, Vjekoslav ; Nikoloska, Aleksandra (ur.)., 2012. str. 142-156
CROSBI ID: 663208 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Symbolism of Light in Early Byzantine Art
Autori
Vicelja-Matijašić, Marina
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Art History - The Future is Now. Studies in Honour of Professor Vladimir P. Goss
Urednik/ci
Cepetić, Maja ; Dujmović, Danko ; Jukić, Vjekoslav ; Nikoloska, Aleksandra
Grad
Rijeka
Godina
2012
Raspon stranica
142-156
ISBN
978-953-6104-90-1
Ključne riječi
Byzantine art, theology, mosaic, light, space, color, Transfiguration, Poreč, Istria, basilica of Eufrasius
Sažetak
The article defines and explains some of the basic concepts related to the use of light in Byzantine art, both real light and artificial lightening in the spatial disposition as well as symbolic meanings of light in specific iconographic schemes, such as Transfiguration. Dominant influence on the formation of the aesthetics of light in Byzantine culture was made by the patristic philosophy and theology ; therefore text and image are compared. Special accent is given to mosaic as the medium in which artists could manipulate material and techniques to obtain diverse symbolic compositions.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Projekti:
009-0000000-3434 - Srednjovjekovna skulptura i slikarstvo Hrvatskog primorja (Vicelja-Matijašić, Marina, MZOS ) ( CroRIS)
Ustanove:
Filozofski fakultet, Rijeka
Profili:
Marina Vicelja Matijašić
(autor)