Naslov
Three Altarpieces by Costantino Cedini, „che s'occupa degli affreschi“

Autori
Kudiš, Nina

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Historia Artis Magistra

Urednik/ci
Novak Klemenčič, Renata i Štefanac, Samo

Izdavač
Znanstvena založba Filozofske fakultete Univerze v Ljubljani

Grad
Ljubljana

Godina
2012

Raspon stranica
361-368

ISBN
978-961-237-623-9

Ključne riječi
Costantino Cedini, painting, late 18th century, altarpieces, Dobrota, Bocche di Cattaro, Christies, Semenzato

Sažetak
In her entry on Costantino Cedini (Padua, 1741 – Venice, 1811) in Dizionari biografico degli Italiani, published in 1979, Elena Bassi pointed out that it was quite probable that many unrecognized works by the same painter existed in Veneto, attributed to the more high-sounding names than his or not attributed at all. The research and publications that succeeded, have confirmed this hypothesis, corroborating the opinion of Cedini, put forward already by Giannantonio Moschini in 1806, as the artist practicing exclusively fresco painting, that is “che s’occupa degli affreschi”. To his oeuvre that enumerates a significantly smaller number of religious compositions or cycles, compared to those executed for secular ambiences, three altarpieces in the technique of oil on canvas could be added. These are:The Virgin and Child with Sts. Joseph, Anne and Joachim in the Parish church of St. Eustace, Dobrota, Boka Kotorska (Bocche di Cattaro), Montenegro, The Ecstasy of Saint Agnes, auctioned at Christie’s London in 1998 as the work by Francesco Zugno and The Virgin and Child with Two Dominican Saints, auctioned by Semenzato in Udine in 2005, as the work by Bortolo Litterini.

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti

POVEZANOST RADA