Pregled bibliografske jedinice broj: 612085
Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon
Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon // Between Page and Screen: Remaking Literature Through Cinema and Cyberspace / Brillenburg Wurth, Kiene (ur.).
New York (NY): Fordham University Press, 2012. str. 184-200
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Naslov
Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon
Autori
Gruić-Grmuša, Lovorka ; Brillenburg Wurth, Kiene
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace
Urednik/ci
Brillenburg Wurth, Kiene
Izdavač
Fordham University Press
Grad
New York (NY)
Godina
2012
Raspon stranica
184-200
ISBN
978-0823239054
Ključne riječi
Pirandello, Pynchon, cinematography, literature
Sažetak
This chapter demonstrates how the concept of the cinematographic works as a literary concept in modernist and postmodernist fictions. In Shoot! the cinematographic becomes the framework for rethinking the relations between humans and machines, as the literary and the cinematographic affect and contaminate each other. Likewise, in Gravity's Rainbow the cinematographic and the novelistic, and all the values attached to both, spill over into each other, further destabilizing ontological differences between 'real' and 'mediated' worlds, as these worlds interact with, and collapse into each other.
Izvorni jezik
Engleski
Znanstvena područja
Filologija