Pregled bibliografske jedinice broj: 605652
The double in the theatre of Pier Paolo Pasolini
The double in the theatre of Pier Paolo Pasolini // Re-Thinking Humanities and Social Sciences
Zadar, Hrvatska, 2010. (predavanje, nije recenziran, sažetak, ostalo)
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Naslov
The double in the theatre of Pier Paolo Pasolini
Autori
Bukvić, Ana
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, ostalo
Izvornik
Re-Thinking Humanities and Social Sciences
/ - , 2010
Skup
Re-Thinking Humanities and Social Sciences
Mjesto i datum
Zadar, Hrvatska, 10.09.2010. - 12.09.2010
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
Pier Paolo Pasolini; the double; the Other
Sažetak
This paper aims at the analysis of the phenomenon of the double in the theatre of the famous Italian poet, journalist, novelist, playwright and film director Pier Paolo Pasolini (1922-1975). His controversial figure which derives from his background and the biography, especially after his death under mysterious circumstances in 1975, generates the phenomena of the double and the Other in his literary work and especially in his six plays which will be analyzed as it follows: Orgia (1968), Porcile (1968), Calderón (1973), Affabulazione (1977), Pilade (1977), Bestia da stile (1977). The analysis will collect obvious examples of the self-reflection and the creation of the double image of reality which generates the appearance of the Other. These phenomena will be analyzed by taking into consideration psychoanalytical studies and theories which are significant for understanding of literary creations. The scope of the paper is to present the double as an allegorical representation or as a projection of the second self of the unconscious, as well as to present Pasolini's need for self-perpetuation, for immortalizing himself. .
Izvorni jezik
Engleski
Znanstvena područja
Filologija