Naslov
Hrvatski isusovački barokni rječnici kao izvor glazbene terminologije
(Croatian Baroque Jesuit Dictionaries as Sources of Musical Terminology)

Autori
Tuksar, Stanislav

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Glasbeni barok na Slovenskem in evropska glasba / Baroque Music in Slovenia and European Music / Klemenčič, Ivan - Ljubljana : Znanstvenoraziskovalni center ZRC SAZU, 1997, 171-177

Skup
Glasbeni barok na Slovenskem in evropska glasba / Baroque Music in Slovenia and European Music

Mjesto i datum
Ljubljana, Slovenija, 13.10.1994. - 14.10.1994

Vrsta sudjelovanja
Pozvano predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
glazbena terminologija; isusovci; rječnici; barok; Hrvatska
(musical terminology; Jesuits; dictionaries; Baroque; Croatia)

Sažetak
Of the five dictionaries of the Croatian language published during the period from 1651 to 1742 four of them had been compiled and published under their names by Jesuits. These dictionaries are: Blago jezika slovinskoga (Loreto-Ancona 1649-1651)(Wordbook of the 'slovin' language) by Jakov Mikalja, Dictionar (Dictionary) by Jurij Habdelić (Graz 1670), Dizionario Italo-Latino-Illirico (An Italian-Latin-Illyrian Dictionary) by Ardelio Della Bella (Venice 1728, 1st edition), and Lexicon by Andrija Jambrešić and Franjo Sušnik (Zagreb 1742). The musical terminology included in these general dictionaries reflects the attitudes of South-Croatian learned societies (Mikalja, Della Bella) and of the Zagreb university circle on the one hand, and the overall characteristics of the Jesuit musical-cultural practice on the other. This terminology (altogether about 1000 Croatian words together with corresponding correlatives in Latin, Italian, German, and Hungarian) equally represents the vocabulary from the field of vocal and instrumental music with denotations for musical instruments and their parts, performers, ways of vocal and instrumental execution, musical-acoustic products, reception, theoretical aspects, and musical-dancing phenomena. Perhaps contrary to the view held by some other national musicologies, Croatian musicology is bound to recognize the undisputed, indeed crucial value and positive contribution of the Jesuitic activity in the Baroque period on the territory of all Croatian historic areas in the fields of culture and education in general and, through philology, lexicography and terminology in the field of musical cultural studies in particular.

Izvorni jezik
Hrvatski

Znanstvena područja
Znanost o umjetnosti

POVEZANOST RADA