Naslov
Glazbeni kritičar Nikola Polić
(Music Critic Nikola Polić)

Autori
Majer-Bobetko, Sanja

Izvornik
Croatica. Prinosi proučavanju hrvatske književnosti (0070-1564) 28/29 (1999), 47/48; 147-157

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
glazbena kritika; povijest glazbe; Nikola Polić
(musical criticism; history of music; Nikola Polić)

Sažetak
Nikola Polić is a representative of impressionist criticism during the period between the two world wars. This kind of criticism insisted on the theses put forward by A. G. Matoš, who claimed that hte critic ability, just like the artistic gift, is innate. A declared opponent of the identification of the national and artistic criteria in the evaluation of a work of art, N. Polić, like his predecessors, notably Matoš, relied more on artistic intuition than on rational analysis (as opposed to Nehajev, who sometimes showed a marked inclination towards analysis). Thus, relying primarily on his personal taste, and then on his admittedly modest positive knowledge of music, throughout the period under consideration, N. Polić published his clear and concise writings on musical events in Zagreb and Sušak. Although he was impulsive and therefore not always consistent, it may be observed that he showed a general tendency toward irony, even cynicism.

Izvorni jezik
Hrvatski

Znanstvena područja
Povijest

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