Pregled bibliografske jedinice broj: 563037
Opera and Operetta in the Late Nineteenth-Century Zagreb National Theatre: Composers, Librettists, and Themes – A Comparison
Opera and Operetta in the Late Nineteenth-Century Zagreb National Theatre: Composers, Librettists, and Themes – A Comparison // Glazbeno kazalište kao elitna kultura? / Musical Theatre as High Culture? / Katalinić, Vjera ; Tuksar, Stanislav ; White, Harry (ur.).
Zagreb: Hrvatsko muzikološko društvo, 2011. str. 75-95
CROSBI ID: 563037 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Opera and Operetta in the Late Nineteenth-Century Zagreb National Theatre: Composers, Librettists, and Themes – A Comparison
Autori
Katalinić, Vjera
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Glazbeno kazalište kao elitna kultura? / Musical Theatre as High Culture?
Urednik/ci
Katalinić, Vjera ; Tuksar, Stanislav ; White, Harry
Izdavač
Hrvatsko muzikološko društvo
Grad
Zagreb
Godina
2011
Raspon stranica
75-95
ISBN
978 953 6090 39 6
Ključne riječi
national theatre, opera, operetta, Zagreb, 19th century, Ivan Zajc, repertoire
Sažetak
The article is based on the repertoire of the Croatian National Theatre in Zagreb in the period from 1863 (when the first musical stage works were performed) to 1902 (the second closure of the opera). The list of performed operas and operettas has been made after the book Repertoar hrvatskih kazališta (The Repertoire of Croatian theatres), and enclosed to the text. The topics analized in the article are as follows: the repertoire, the social situatuon in Zagreb at the time of the foundation of the national theatre and soon followed by the foundation of the opera ensemble, the translation of the libretti, the role, the presence, and the choice of foreign operas and operettas in the relation to the domestic/national ones, on the attitudes of opera directors etc. These activities of the opera house have been articulated into four cronological periods: 1) 1863-1870, i.e. prior to the foundation of the opera ensemble, when operettas have been performed, 2) 1870-1889: the first activity of the opera, 3) 1889-1895: the period during the first closure of the opera, 4) 1895-1902: the second period of the opera, until its second closure. Conclusions on the preferences of theatre directors on the one hand and audiences on the other are drawn on the basis of the established findings. Some graphs with the statistics of performed works and their authors during these four periods are attached to the article.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
POVEZANOST RADA
Projekti:
213-0000000-1033 - Sređivanje i obradba glazbenih izvora u Hrvatskoj (Tuksar, Stanislav, MZOS ) ( CroRIS)
Ustanove:
Muzička akademija, Zagreb
Profili:
Vjera Katalinić
(autor)