Naslov
Pavo Gadanyi: A Profile of a Bagpiper, a Convivial Builder of Social Communication

Autori
Ceribašić, Naila

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Studia instrumentorum musicae popularis II (New Series)

Urednik/ci
Gisa Jähnichen

Izdavač
Verlagshaus Monsenstein und Vannerdat OHG

Grad
Münster

Godina
2011

Raspon stranica
1-12

ISBN
978-3-86991-411-4

Ključne riječi
bagpiping, ethnomusicology of the individual, Croatia

Sažetak
Since ethnomusicologists are tuned to focus on music, and since, on the other side, players of folk music instruments are scarce, eminent individuals in their communities, the ethnomusicological literature tends to interpret them along the lines of their musical artistry and dedication to music-making. Accordingly, when meeting Pavo Gadanyi, the last inheritor of precious yet disappearing musical knowledge, we expected to find such an individual captivated by music. But the main lesson we learnt from him bears upon the artistry of building social communication among people. He has never played bagpipes just for himself, he has always been eager to play in company, for the amusement of others. This does not mean that, following Gadanyi’s understandings and approaches, we may make conclusions about the whole scene of pre-revival bagpipers, but certainly his ways of musicking should not be neglected either. His case testifies both the merits and limits of an ethnomusicology of the individual. Besides, it recalls yet other important ethnomusicological theories, such as Blacking’s argument on the cultural creativity that springs from social cooperation and loving interaction or Turino’s notion of participatory performance, in contrast to presentational one.

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija

Napomena
ISSN 2191-5261

POVEZANOST RADA