{\rtf1\adeflang1025\ansi\ansicpg1250\uc1\adeff31507\deff0\stshfdbch0\stshfloch31506\stshfhich31506\stshfbi31506\deflang1050\deflangfe1050\themelang1050\themelangfe0\themelangcs0{\fonttbl{\f0\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}
{\f2\fbidi \fmodern\fcharset238\fprq1{\*\panose 02070309020205020404}Courier New;}{\f34\fbidi \froman\fcharset238\fprq2{\*\panose 02040503050406030204}Cambria Math;}
{\flomajor\f31500\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}{\fdbmajor\f31501\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}
{\fhimajor\f31502\fbidi \fmodern\fcharset238\fprq1{\*\panose 02070309020205020404}Courier New;}{\fbimajor\f31503\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}
{\flominor\f31504\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}{\fdbminor\f31505\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}
{\fhiminor\f31506\fbidi \fmodern\fcharset238\fprq1{\*\panose 02070309020205020404}Courier New;}{\fbiminor\f31507\fbidi \froman\fcharset238\fprq2{\*\panose 02020603050405020304}Times New Roman;}{\f41\fbidi \froman\fcharset0\fprq2 Times New Roman;}
{\f40\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\f42\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}{\f43\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}{\f44\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}
{\f45\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}{\f46\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}{\f47\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}{\f61\fbidi \fmodern\fcharset0\fprq1 Courier New;}
{\f60\fbidi \fmodern\fcharset204\fprq1 Courier New Cyr;}{\f62\fbidi \fmodern\fcharset161\fprq1 Courier New Greek;}{\f63\fbidi \fmodern\fcharset162\fprq1 Courier New Tur;}{\f64\fbidi \fmodern\fcharset177\fprq1 Courier New (Hebrew);}
{\f65\fbidi \fmodern\fcharset178\fprq1 Courier New (Arabic);}{\f66\fbidi \fmodern\fcharset186\fprq1 Courier New Baltic;}{\f67\fbidi \fmodern\fcharset163\fprq1 Courier New (Vietnamese);}{\f381\fbidi \froman\fcharset0\fprq2 Cambria Math;}
{\f380\fbidi \froman\fcharset204\fprq2 Cambria Math Cyr;}{\f382\fbidi \froman\fcharset161\fprq2 Cambria Math Greek;}{\f383\fbidi \froman\fcharset162\fprq2 Cambria Math Tur;}{\f386\fbidi \froman\fcharset186\fprq2 Cambria Math Baltic;}
{\flomajor\f31510\fbidi \froman\fcharset0\fprq2 Times New Roman;}{\flomajor\f31509\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\flomajor\f31511\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}
{\flomajor\f31512\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}{\flomajor\f31513\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}{\flomajor\f31514\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}
{\flomajor\f31515\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}{\flomajor\f31516\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}{\fdbmajor\f31520\fbidi \froman\fcharset0\fprq2 Times New Roman;}
{\fdbmajor\f31519\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\fdbmajor\f31521\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}{\fdbmajor\f31522\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}
{\fdbmajor\f31523\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}{\fdbmajor\f31524\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}{\fdbmajor\f31525\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}
{\fdbmajor\f31526\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}{\fhimajor\f31530\fbidi \fmodern\fcharset0\fprq1 Courier New;}{\fhimajor\f31529\fbidi \fmodern\fcharset204\fprq1 Courier New Cyr;}
{\fhimajor\f31531\fbidi \fmodern\fcharset161\fprq1 Courier New Greek;}{\fhimajor\f31532\fbidi \fmodern\fcharset162\fprq1 Courier New Tur;}{\fhimajor\f31533\fbidi \fmodern\fcharset177\fprq1 Courier New (Hebrew);}
{\fhimajor\f31534\fbidi \fmodern\fcharset178\fprq1 Courier New (Arabic);}{\fhimajor\f31535\fbidi \fmodern\fcharset186\fprq1 Courier New Baltic;}{\fhimajor\f31536\fbidi \fmodern\fcharset163\fprq1 Courier New (Vietnamese);}
{\fbimajor\f31540\fbidi \froman\fcharset0\fprq2 Times New Roman;}{\fbimajor\f31539\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\fbimajor\f31541\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}
{\fbimajor\f31542\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}{\fbimajor\f31543\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}{\fbimajor\f31544\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}
{\fbimajor\f31545\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}{\fbimajor\f31546\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}{\flominor\f31550\fbidi \froman\fcharset0\fprq2 Times New Roman;}
{\flominor\f31549\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\flominor\f31551\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}{\flominor\f31552\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}
{\flominor\f31553\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}{\flominor\f31554\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}{\flominor\f31555\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}
{\flominor\f31556\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}{\fdbminor\f31560\fbidi \froman\fcharset0\fprq2 Times New Roman;}{\fdbminor\f31559\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}
{\fdbminor\f31561\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}{\fdbminor\f31562\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}{\fdbminor\f31563\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}
{\fdbminor\f31564\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}{\fdbminor\f31565\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}{\fdbminor\f31566\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}
{\fhiminor\f31570\fbidi \fmodern\fcharset0\fprq1 Courier New;}{\fhiminor\f31569\fbidi \fmodern\fcharset204\fprq1 Courier New Cyr;}{\fhiminor\f31571\fbidi \fmodern\fcharset161\fprq1 Courier New Greek;}
{\fhiminor\f31572\fbidi \fmodern\fcharset162\fprq1 Courier New Tur;}{\fhiminor\f31573\fbidi \fmodern\fcharset177\fprq1 Courier New (Hebrew);}{\fhiminor\f31574\fbidi \fmodern\fcharset178\fprq1 Courier New (Arabic);}
{\fhiminor\f31575\fbidi \fmodern\fcharset186\fprq1 Courier New Baltic;}{\fhiminor\f31576\fbidi \fmodern\fcharset163\fprq1 Courier New (Vietnamese);}{\fbiminor\f31580\fbidi \froman\fcharset0\fprq2 Times New Roman;}
{\fbiminor\f31579\fbidi \froman\fcharset204\fprq2 Times New Roman Cyr;}{\fbiminor\f31581\fbidi \froman\fcharset161\fprq2 Times New Roman Greek;}{\fbiminor\f31582\fbidi \froman\fcharset162\fprq2 Times New Roman Tur;}
{\fbiminor\f31583\fbidi \froman\fcharset177\fprq2 Times New Roman (Hebrew);}{\fbiminor\f31584\fbidi \froman\fcharset178\fprq2 Times New Roman (Arabic);}{\fbiminor\f31585\fbidi \froman\fcharset186\fprq2 Times New Roman Baltic;}
{\fbiminor\f31586\fbidi \froman\fcharset163\fprq2 Times New Roman (Vietnamese);}}{\colortbl;\red0\green0\blue0;\red0\green0\blue255;\red0\green255\blue255;\red0\green255\blue0;\red255\green0\blue255;\red255\green0\blue0;\red255\green255\blue0;
\red255\green255\blue255;\red0\green0\blue128;\red0\green128\blue128;\red0\green128\blue0;\red128\green0\blue128;\red128\green0\blue0;\red128\green128\blue0;\red128\green128\blue128;\red192\green192\blue192;}{\*\defchp 
\f31506\fs24\lang1050\langfe1033\langfenp1033 }{\*\defpap \ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0 }\noqfpromote {\stylesheet{\ql \li0\ri0\sa200\sl276\slmult1
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\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0 \rtlch\fcs1 \af31506\afs24\alang1025 \ltrch\fcs0 \f31506\fs24\lang1050\langfe1033\cgrid\langnp1050\langfenp1033 \snext11 \ssemihidden \sunhideused \sqformat Normal Table;}}
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{\author Ivana Mance}{\operator Ivana Mance}{\creatim\yr2010\mo6\dy13\hr11\min30}{\revtim\yr2010\mo6\dy13\hr20\min5}{\version9}{\edmins385}{\nofpages3}{\nofwords971}{\nofchars5982}{\nofcharsws6946}{\vern32859}}{\*\xmlnstbl {\xmlns1 http://schemas.microsof
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{\*\pnseclvl2\pnucltr\pnstart1\pnindent720\pnhang {\pntxta .}}{\*\pnseclvl3\pndec\pnstart1\pnindent720\pnhang {\pntxta .}}{\*\pnseclvl4\pnlcltr\pnstart1\pnindent720\pnhang {\pntxta )}}{\*\pnseclvl5\pndec\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}
{\*\pnseclvl6\pnlcltr\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl9
\pnlcrm\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0 \rtlch\fcs1 \af31507\afs24\alang1025 \ltrch\fcs0 
\f31506\fs24\lang1050\langfe1033\cgrid\langnp1050\langfenp1033 {\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5138489 Petra Grozaj, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid5138489\charrsid5138489 Slike po promatranju}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid5138489 
\par Galerija Buljat, 12. 06. 2010 - ?
\par 
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915 U svojem slikarskom radu, Petra Grozaj nikada nije skrivala procesualni pristup slikanju \endash  njene slike }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11032223 pokazuju}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid6569915  vremensku }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11032223 prote\'9enost svojeg nastanka odnos}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915 no stanovito stanje nestabilnosti}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid16333517  ili,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915  rje\'e8nikom klasi\'e8ne povijesti umjetnosti re\'e8eno, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 \'84}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915 otvorenost}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 \'93}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517  forme. \'c8}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915 ak i za ona djela koja djeluju dovr\'9aeno tj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid16333517 .}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915  kao uspje\'9ana realizacija }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 nekog zami\'9aljenog, ciljanog }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915 programa, }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11032223 nije izvjesno da ne\'e6e do\'9eivjeti neku novu inkarnaciju \endash  osvanuti transformirani u novoj slikarskoj }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 fazi ili pak novoj kombinaciji,}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11032223  budu\'e6i da umjetnica nerijetko pojedina }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 slike zdru\'9euje u diptihe i}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11032223  poliptihe odnosno aran\'9e
ira u ambijentalne cjeline i instalacije}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 , dakako, na }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 osnovi nekog latentnog i }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 diskretnog, ali ipak }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 nu\'9eno}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 postoje\'e6eg koncepta }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid10383398 koji rastvara}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517  formalni i zna\'e8enjski}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid10383398  integritet}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid10383398 pojedina\'e8
nog }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 djela}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid10383398 , }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 fragmentiraju\'e6i ga i }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 ulan\'e8avaju
\'e6i }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 u }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 slo\'9eenije}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 , nadodre\'f0ene formacije}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 . }
{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 Dopu\'9ataju\'e6i mogu\'e6nost promjene, slike Petre Grozaj traju i doga\'f0aju se u njenoj }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 \'9eivotnoj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid2687752  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 svako}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2687752 dnevici, ne}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 prestano akumuliraju\'e6i zna\'e8enja. Z}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid2687752 atvorenost pojedinih ciklusa je tako tek relativna \endash  bez obzira }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4597155 \'9ato se pojedini ciklusi u nekom trenutku prestaju vidljivo mijenjati odnosno dobivaju karakter pro\'9a
log svr\'9aenog vremena, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2687752 njeno slikarstvo}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4597155  u cjelini ostavlja}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2687752  dojam intenzivne pro\'9eetosti}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4597155 , simultanog supostojanja odnosno me\'f0usobne ovisnosti svake sastavnice opusa, dojam da su \'e8ak i vremenski distancirana djela u neprestanom, me\'f0usobnom dosluhu, da se jedno dr}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid4472702 ugoga neiscrpno ti\'e8u}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 . }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4597155  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 
\par }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid947947 Po takvom principu nastala je i posljednja izlo\'9eba }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929 Petre Grozaj }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16520144 pod nazivom }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \i\insrsid16520144\charrsid16333517 Slike po promatranju}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16520144  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 u Galeriji Buljat.}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15955929  }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517 J}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid13266630 edna od slika ovom prigodom zdru\'9eena u diptih,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid13266630 na\'9ala se jo\'9a 2008. godine}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8406811  kao dio izlo\'9ebene cjeline}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16333517  u Galeriji Matice H}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid13266630 
rvatske}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8406811 , dok su druga slika diptiha te jo\'9a dva samostalna platna recentni radovi. Sva tri odnosno \'e8etiri djela, i ovaj put povezuje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5641861 
 latentni narativni koncept odnosno pri\'e8a koju }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 slike same, zdru\'9eene}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5641861  u niz poti\'e8u}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 . }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5641861 Redovita autobiografi\'e8nost te pri\'e8e, dakako, proizlazi iz navedenog}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 , nagla\'9aeno subjektivisti\'e8kog}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid5641861  pristupa}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430  slikarskoj praksi koja funkcionira kao bitna sastavnica}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5641861  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 
svakodnevice odnosno svakodnevna praksa introspekcije. Tu vezu isti\'e8e kao bitnu i autorica kataloga, Iva K}{\rtlch\fcs1 \af31506 \ltrch\fcs0 \insrsid2165430 \'f6}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 rbler}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid5641861  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 nagla\'9aavaju\'e6i kako se \'84a}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915\charrsid6569915 utoreferenci}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 jal
nost slikarice isprepli\'e6e }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915\charrsid6569915 s procesualno\'9a\'e6u postupk}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 a\'93 odnosno }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid6569915\charrsid6569915 kako su }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 \'84}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915\charrsid6569915 procesualnost i anti-stati\'e8nost posljedica \'9e
elje za dobivanjem novog smisla, reda i kompozicije na slici}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 \'93 i kao takvi izravan i nepatvoren izraz }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971 \'84}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid2165430 \'9eelje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6569915\charrsid6569915  za uspostavljanjem smisla, reda i sklada u samoj sebi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2165430 .\'93}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid10296636 

\par }\pard \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid8538139 {\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971 Krenemo li dalje izvoditi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid3611420  tu}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971  poticajnu misao, mo\'9eemo re\'e6i}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420  da se to uspostavljanje subjektivnog}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971 
 smisla, upravo stoga \'9ato se materijalizira kroz slikarstvo, zapravo ne odvija doslovno \'84u\'93, ve\'e6 upravo \'84}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid15957971\charrsid15957971 sa}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid15957971 \'93}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971  samom sobom; i upravo kao takvo, ono}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15034090  ukazuje na autenti\'e8no stanje svakog subjekta koji je po defin}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 
iciji podijeljen na Ja i mene }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15034090 odnosno upu\'e6en uspostavljati svoje Ja isklju\'e8ivo u zajednici s drugima od}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 nosno (sa) samim sobom. Aktualni }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15034090 ciklus slika Petre Grozaj, dakle, mo\'9ee se interpretirati kao stan}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6427866 oviti poku\'9a
aj autoportretiranja - subjektivacije kroz samopredstavljanje odnosno samoizlaganje, kroz gestu }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid15034090\charrsid16593979 dati}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid6427866\charrsid16593979 -}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid15034090\charrsid16593979 se}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid6427866\charrsid16593979 -}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid15034090\charrsid16593979 vidjeti}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\i\insrsid6427866\charrsid16593979 -drugima}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6427866  u svim njenim sastavnim aspektima.}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16520144  Slika pod nazivom }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\i\insrsid16520144\charrsid6380646 S}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid16593979\charrsid6380646 vijet }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid16520144\charrsid6380646 promjene}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420  tako}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16593979  prikazuje lica drugih; u rasponu od lica koje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16593979 gestikulacijom autenti\'e8no izra\'9e
ava emotivno stanje subjekta}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 ,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16593979  preko onih u kojih se facijalna gesta }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 zale\'f0uje}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid16593979  u gr\'e8}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 u, do l}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16593979 ica }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 pretvorenih u mas}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid6257572 ke}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 , navedena slika p}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16593979 odsje\'e6a na }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 slavne Picassove }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \i\insrsid6380646\charrsid3611420 Gospo\'f0ice iz Avignona}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 . Gradacija}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 
ekspresivne funkcije lica }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646 o\'e8ituje se i kroz izra\'9eajnost pogleda, tako\'f0er u raspo}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6257572 nu od zjenica }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid6380646 upu\'e6enih }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6257572 okolini}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6257572 odnosno promatra\'e8u }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid6380646 do}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6257572  potpuno praznih}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6380646  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6257572 o\'e8nih proreza iza kojih se nazire ni\'9atavilo. }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid6321993 Slika }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 na neki na\'e8in }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6321993 tako tematizira situaciju me\'f0}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 
uljudske komunikacije op\'e6enito;}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6321993  lice postaje znak}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 om}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6321993  pojedina\'e8
nosti subjekta u mjeri u kojoj se izra\'9eava prema drugima, dok izostanak ekpresivne funkcije lice }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 poop\'e6ava}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6321993  u }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid4074316 krinku iza koje se mo\'9ee skrivati bilo tko, uklju\'e8uju\'e6i i nas same. Da zale\'f0enost gestikulacije prikriva strah, anksioznost }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8811442 subjekta}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid4074316  koji se izla\'9ee pogledu }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 drugih, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 potvr\'f0uje idu\'e6a slika }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 u izlo\'9ebenom nizu }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 odnosno}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420  spomenuti diptih:}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316  premda}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8811442  nasm}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid3611420 i}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8811442 je\'9aena lica, \'9eenska }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11551282 polufigura}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8811442  ispred sebe gr\'e8evito dr
\'9ei statuetu golf-igra\'e8a odnosno simboli\'e8ki trofej}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 . P}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid11551282 rije nego li o\'e8itovanje nadmo\'e6i, atribut pobjede funkcionira kao oru\'9e
je u funkciji obrane, \'9ato potvr\'f0uje i okamenjena gestikulacija lica \endash  prazne zjenice iznad blistavog osmjeha sugeriraju progresivno povla\'e8enje subj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4612397 ek}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid11551282 ta iz vlastitog lika odnosno prikaza}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4612397 , po\'e8ev\'9ai od donjeg dijela slike prema gornjem, gdje se motiv }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 odnosno \'9eenska}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid4612397  figura, pretvaraju\'e6i se u linearnu silhuetu, postupno ali na kraju potpuno zamjenjuje s pozadinom tj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 .}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4612397  realno\'9a
\'e6u slikarske plohe. Takvu interpretaciju podr\'9eava i drugi dio diptiha na kojem se }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid9270403 tako\'f0er }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4612397 nalazi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid9270403  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628 sjede\'e6a }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid9270403 \'9eenska figura,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628  ali potpuno spu\'9atenog pogleda}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid3686934  \endash  po kojoj diptih i nosi naziv }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid3686934\charrsid3686934 Gospo\'f0ica \'c8udljiva}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628 . Premda}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid1398614  bi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420 se }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628 \'e8injenica da je}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 
 na ovoj slici }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628 stupanj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614  mimeti\'e8nosti prikaza}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5775628  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 ve
\'e6i tj. da je figura }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 tek u manjem dijelu }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 izvedena}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3611420  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid5775628 shemat}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 ski, mogla prepoznati i kao ve\'e6a spremnost subjekta da se izlo\'9ei pogledu, okolnost spu\'9atene djevoja\'e8ke glave odnosno pogleda nedvosmisleno upu\'e6uje na }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid3686934 tjeskobu odnosno }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 sram. }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3686934 Slijede\'e6i nit psiholo\'9akog tuma\'e8enja, mogu\'e6e je napokon napraviti i posljednji k}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614 o}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3686934 rak}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1398614  do \'e8etvrte i zadnje slike}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3686934 . Iza naziva }{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid1786331\charrsid1786331 Lijepa slika}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331  skriva se zapravo jedini }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 ek}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid1786331 s}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 plicitni autop}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331 o}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid4074316 rtret}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331 
. Za razliku od ostalih slika na izlo\'9ebi, jedina je izvedena ujedna\'e8enim stilom }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 odnosno jedinstvenim}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331  na\'e8inom }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid3044801 prikazivanja. K}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331 ao \'9ato i sam}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid14122707  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331 naziv slike upu\'e6uje}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid14122707 ,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331  posrijedi je }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid14122707 stanovita i}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid1786331 deali}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid14122707 zacija odnosno idealisti\'e8ki pristup }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 reprezentaciji}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid14122707 . Dvosmislenost naziva}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16325740 
, dakako, jo\'9a jednom signalizira temu ciklusa u cjelini}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 : }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid14122707 lijepa je slika, ali }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16325740 i motiv na njo}{
\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 j; posrijedi je, dakle, poku\'9aaj d}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16325740 a se subjekt dade vidjeti dugima kao lijep }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908 od}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid16325740 no}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908 s}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16325740 no}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801  kao objekt estetskoga u\'9eivanja. D}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid16325740 aleko od fantazmatske projekcije odnosno egolatrijske, imaginarne projekcije o vlastitom liku, posrijedi je \'e8in krajnje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908 g izlaganja, kona\'e8
ni istup visokoga rizika; dok \'9eenska figura na slici }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid3293908\charrsid3293908 \'c8udljiva}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908  spu\'9ata pogled}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 
 srame\'e6i se vlastitoga tijela, idealisti\'e8ki prikazano}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908  lice upu\'e6uje nam se \'9airom otvorenih o\'e8iju. }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 S}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid3293908 lu\'e8ajnost okolnosti da se u lijepoj slici}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801  - pod cvjetnim vijencem, bujnom kosom i bijelom ko\'9eom -}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908  nal}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid2308486 azi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750  ba\'9a }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \i\insrsid6446750\charrsid2308486 ona}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908 , a ne netko drugi, }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid5138489 odnosno,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486  bilo tko od nas, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908 ovisi }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486 upravo}{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid3293908  o }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 nama, drugima koji}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 joj izl}{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid3293908 azi}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 mo ususret,}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3293908  koji }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486 smo spremni prepoznati }{\rtlch\fcs1 \af31507 \ltrch\fcs0 
\insrsid3044801 elementarni egzistencijalni stid }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 subjekta koji se }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486 slu\'e8ajno }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 zatekao}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid2308486  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 na mjestu ljepote}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid6446750 . Lijepa slika}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486  subjektu autenti\'e8
no ne pripada, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 on se u njoj pojavljuje usrdno mole\'e6i }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid2308486 po\'9atovanje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004  Drugoga u kojem budi \'9e
elju za posjedovanjem; upravo stoga, pojavljivanje u lijepoj slici, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid9135535 paradigmatskoj}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8538139  }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 slici lijepe \'9e
ene, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 ekstremno}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004  je }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid8538139 izlaganje}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004  }{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid6323769 vlastite }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 ranjivosti}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid3044801 : }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 isklju\'e8
ivo pod pretpostavkom prepoznavanja lijepe slike kao }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5138489 slike }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 Drugog, a ne }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid9135535 svoje }{\rtlch\fcs1 \af31507 
\ltrch\fcs0 \insrsid16410004 vlastite idealne projekcije, }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid13582477 umjetnost }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 istovremeno}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid5138489  biva}{\rtlch\fcs1 
\af31507 \ltrch\fcs0 \insrsid16410004  estetski u\'9eitak i eti\'e8ki }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid13582477 izazov}{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16410004 . }{\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16520144 
\par }\pard \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0\pararsid15034090 {\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid16520144 
\par 
\par 
\par }\pard \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\widctlpar\wrapdefault\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0 {\rtlch\fcs1 \af31507 \ltrch\fcs0 \insrsid15957971\charrsid6569915 
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