Pregled bibliografske jedinice broj: 52454
The particularities of music-making and singing in the revived chain dances of Pelješac and Korčula
The particularities of music-making and singing in the revived chain dances of Pelješac and Korčula // Abstracts for the 21st Symposium of the ICTM Study Group on Ethnochoreology. July 2 - July 8, 2000. Korčula, Croatia / Zebec, Tvrtko ; Ivancich Dunin, Elsie (ur.).
Zagreb: Institut za etnologiju i folklOris tiku (IEF), 2000. str. 4-4 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 52454 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The particularities of music-making and singing in the revived chain dances of Pelješac and Korčula
Autori
Ćaleta, Joško
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Abstracts for the 21st Symposium of the ICTM Study Group on Ethnochoreology. July 2 - July 8, 2000. Korčula, Croatia
/ Zebec, Tvrtko ; Ivancich Dunin, Elsie - Zagreb : Institut za etnologiju i folklOris tiku (IEF), 2000, 4-4
Skup
21st Symposium of the ICTM Study Group on Ethnochoreology
Mjesto i datum
Korčula, Hrvatska, 02.07.2000. - 08.07.2000
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
music; chain sword dances; revival; Croatia
Sažetak
The author discusses the issues which arise in the process of reconstruction of customs whose continuity of performance had been interrupted for a certain period of time. Although dance is the most important and most interesting dimension in this reconstruction, neither the less emphasized instrumental, nor the singing component can be ignored. Reconstruction of vocal and instrumental repertoire is not based on the direct traditional transmission ; instead most of the learning process is carried out through contemporary methods: listening to earlier audio recordings, through folklore schools, or with the help of professionals who do not have direct links with tradition. The lack of continuity in music-making and instrument-building leads to changes in both the temperament of the music itself and in the manner in which it is played. An interesting factor is the appearance of new musical instruments and the way they are played. These instruments have replaced the ones which existed before and have, in their own way, been incorporated into the entire custom. A more pressing problem arises in the reconstruction of the singing of the earlier traditional layer which infers - singing in untempered intervals, quaking the voice - techniques typical for the Dinaric region which are completely foreign to today's island population.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija
POVEZANOST RADA
Projekti:
01890102
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Joško Ćaleta
(autor)