Pregled bibliografske jedinice broj: 449426
„Revolution, cinema, painting: creative recycling of images in the films of Tom Gotovac (Antonio Lauer)“
„Revolution, cinema, painting: creative recycling of images in the films of Tom Gotovac (Antonio Lauer)“ // Studies in Eastern European cinema, 1 (2010), 1; 71-84 doi:10.1386/seec.1.1.71/1 (podatak o recenziji nije dostupan, članak, znanstveni)
CROSBI ID: 449426 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
„Revolution, cinema, painting: creative recycling of images in the films of Tom Gotovac (Antonio Lauer)“
Autori
Gilić, Nikica
Izvornik
Studies in Eastern European cinema (2040-350X) 1
(2010), 1;
71-84
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Tomislav Gotovac; experimental cinema; editing; conceptual art; images; genre
Sažetak
Tomislav/Tom Gotovac (Antonio Lauer), one of the leading Croatian conceptual and multimedia artists, successfully recycles visual images in his recent films, as demonstrated in the best works of his more recent opus. By using stills and inserts from his own films and from films important for him or his art (e.g. films by George Stevens, Lazar Stojanovic’, the Vasiliev brothers), but also from famous paintings (by Diego Rivera, Frida Kahlo) and popular songs, Gotovac’s films (Tomislav Gotovac, Dead Man Walking, Proroci) transcend the borders of cinema as much as his performances and exhibitions transcend borders of every medium of artistic creation. However, certain general questions are raised by such artistic procedure: broadly speaking, today’s conceptual art is institutionalized in some sort of artistic ‘genre’ and Gotovac/Lauer seems to be a true master of that genre.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
POVEZANOST RADA
Projekti:
130-2641300-1032 - Stilistički opis hrvatske filmske baštine (Gilić, Nikica, MZOS ) ( CroRIS)
Ustanove:
Filozofski fakultet, Zagreb
Profili:
Nikica Gilić
(autor)
