Naslov
Henry Matisse and Croatian Painting in the inter-war period

Autori
Kolešnik, Ljiljana

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
La migration des images. Autour du fauvisme parisien et des expressionnismes d'Europe centrale / Dupont Valérie - Dijon : Université de Bourgogne, 2009

Skup
La migration des images. Autour du fauvisme parisien et des expressionnismes d'Europe centrale et orientale

Mjesto i datum
Dijon, Francuska, 14.05.2009. - 16.05.2009

Vrsta sudjelovanja
Pozvano predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
Henri Matisse; Fauvism; Croatian Modern painting; post-impressionism; Miroslav Kraljević

Sažetak
The art of Henri Matiss became an important referential point of Croatian painting only in the second half of the 20th century, critically marking the process of post-war modernist reconstruction. The reception of his art in the previous period is rather weak and could not be detected before the end of 1930's. The reasons conditioning relative indifference of Croatian modern artists to fauvism should be sought within cultural, historical and psycho-social matrix defining the process of modernization in Croatian society at the beginning of the 20th century. In that respect particular attention should be played to a rather unstable relation between Mediterranean and Central European components of Croatian cultural identity, as well as to its complex, historical and sometimes traumatic connections with German culture.

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti

POVEZANOST RADA