Pregled bibliografske jedinice broj: 405219
Wielding an Ambivalent Sword: A Reading of Artemisia Gentileschi’ s Judiths
Wielding an Ambivalent Sword: A Reading of Artemisia Gentileschi’ s Judiths // -
Oxford, Ujedinjeno Kraljevstvo, 2009. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
CROSBI ID: 405219 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Wielding an Ambivalent Sword: A Reading of Artemisia Gentileschi’ s Judiths
Autori
Gabrielli, Francesca Maria
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Society for Italian Studies Postgraduate Colloquium
Mjesto i datum
Oxford, Ujedinjeno Kraljevstvo, 23.05.2009
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Artemisia Gentileschi; Judith; visual narration; gender
Sažetak
The semantic potential of Artemisia Gentileschi’ s treatment of the Judith theme is not confined to the representation of a forceful overturning of the hierarchical opposition between male and female allegedly depicted as heroic. It is the purpose of this paper to show how from a close reading of the four major paintings inspired by the scriptural account - the Judith Slaying Holofernes from the Capodimonte Museum in Naples (1612- 13), the Judith and Her Maidservant from Palazzo Pitti in Florence (c. 1613-14), the Judith Slaying Holofernes in the Uffizi in Florence (c. 1620) and the Judith and Her Maidservant with the Head of Holofernes in the Detroit Institute of Arts (c. 1625) - emerges a number of highly significant details that can be read as subtly problematizing the brutal gender inversion at the center of the story and destabilizing the possibility of interpreting it as an act of female heroism. Thus, instead of empowering the female character, the visual thematization of the man-slaying act tragically reasserts the imprisonment of female and male alike within the patriarchal logic of domination and subjugation. Moreover, the visual field of the paintings (and especially the highly saturated and ambivalent representation of the sword) offers to the viewer the interpretative possibility to transcend the cannibalistic mode of relationality that reproduces the binary dialectic between self and other (cannibalism being one of the patterns of signification implied by the paintings) and allude to a different, non-violent, logic that challenges patriarchy inasmuch as it resists and subverts dualisms.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
POVEZANOST RADA
Projekti:
130-1301070-1064 - Verbalno i vizualno: performativnost, reprezentacija, interpretacija (Čale, Morana, MZOS ) ( CroRIS)
Ustanove:
Filozofski fakultet, Zagreb