Pregled bibliografske jedinice broj: 403326
The Changes in the Iconographic Representation of St Sebastian in the Late Middle Ages and the Renaissance
The Changes in the Iconographic Representation of St Sebastian in the Late Middle Ages and the Renaissance // International Medieval Congress
Leeds, Ujedinjeno Kraljevstvo, 2005. (predavanje, nije recenziran, neobjavljeni rad, ostalo)
CROSBI ID: 403326 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Changes in the Iconographic Representation of St Sebastian in the Late Middle Ages and the Renaissance
Autori
Kunčić, Meri
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, ostalo
Skup
International Medieval Congress
Mjesto i datum
Leeds, Ujedinjeno Kraljevstvo, 11.07.2005. - 14.07.2005
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
hagiography; St Sebastian; cult of saints; iconography; votive painting; Renaissance; Dalmatia
Sažetak
Although paintings and sculptures presenting St Sebastian were relatively often created during the early medieval period, the paintings presenting that saint became far more frequent during the Late Middle Ages and Renaissance. In the early Middle Ages two stylistic and iconographic types of presentation of St Sebastian coexisted, that of the middle aged bearded man and a strong young man. But, from the late fourteenth and beginning of the fifteenth century the shift happened symbolized by the domination of presentation of young and bodily strong man in the sacral painting across the Europe. The cause for that shift was in the desire of painters and ordering parties to get saintly protector whose visual expression underlines his capability to fight the plague. In Dalmatia St Sebastian’ s visual expression as young and strong knight had also another function, that is to give the believe to Christians that they have invincible heavenly protector from Ottomans.
Izvorni jezik
Engleski
Znanstvena područja
Povijest, Povijest umjetnosti