Pregled bibliografske jedinice broj: 343244
Our Thievish Progress to Modernity: The Crisis of Permanence in the Renaissance Sonnet
Our Thievish Progress to Modernity: The Crisis of Permanence in the Renaissance Sonnet // University of Bucharest Review, 8 (2006), 3; 67-74 (podatak o recenziji nije dostupan, članak, znanstveni)
CROSBI ID: 343244 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Our Thievish Progress to Modernity: The Crisis of Permanence in the Renaissance Sonnet
Autori
Lupić, Ivan
Izvornik
University of Bucharest Review (1454-9328) 8
(2006), 3;
67-74
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
English literature; Renaissance sonnet; performativity; eternising conceit; William Shakespeare; John Southern; time; eternity; modernity
Sažetak
The "eternising conceit", as it has traditionally been termed, is frequently found in English poetry of the early modern period, deployed perhaps most effectively in the Renaissance sonnet. The term represents a convenient label for the rhetorical strategy by means of which poetic voices strive to attain permanence in the face of the merciless figure of "devouring Time". This particular poetic device has a long and diversified literary tradition stretching back to the classical Greek and Latin poets and surviving, though more modestly, throughout the Middle Ages. Poetry that perpetuates -- either itself, the "I", or the "you/thou" of the quatorzains -- does this in several distinct ways. Rather than explore the subtle differences in individual treatment, the presentation focuses on several notable and less notable examples in order to illuminate the points of permanent crisis in the project of progressing -- thievishly -- from the ravages of time to the artifices of eternity. In accordance with the interests of the conference, the discussion endeavours to trace the logic of the process backwards as well: from the melancholic notions of "modernity" and "time" to the spirited images of "eternity" and "pre-modernity", voicing some critical and affective anxieties with the help of the notorious trumpet and its soul-devastating blow.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
POVEZANOST RADA
Projekti:
130-0000000-0850 - Šekspirijanski kanon u hrv. kulturi: recepcija, reinskripcija, revalorizacija (Ciglar-Žanić, Janja, MZOS ) ( CroRIS)
Ustanove:
Filozofski fakultet, Zagreb
Profili:
Ivan Lupić
(autor)