Naslov
On Research Accountability: Music and Minorities Studies vs. War Ethnography in Post-Yugoslav Croatian Ethnomusicology

Autori
Ceribašić, Naila

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni

Izvornik
Abstracts of the 39th World Conference of the International Council for Traditional Music, Vienna, 4-11 July 2007 / Wild, Stephen, i Wim van Zanten - Beč : International Council for Traditional Music, 2007

Skup
39th World Conference of the International Council for Traditional Music

Mjesto i datum
Beč, Austrija, 04.07.2007. - 11.07.2007

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
ethnomusicology; Croatia; ex-Yugoslavia; minorities studies; war ethnography

Sažetak
During the 1990s the Croatian ethnomusicology revolved around two main lines of research: one, a critical reconsideration of past and up-to-date material, knowledge and discourse on music, which would eventually lead into supposedly complete and objective synthesis of Croatian traditional music ; and the other, the music ethnography of the time determined by huge socio- political changes and the war. The first line of research was indeed an attempt to affirm the national profile of the music and the discipline, but it also brought into focus a necessity to recognize and accept diverse others who compose the music in Croatia on the whole. The second line raised a number of issues of researcher's positioning and involvement in knowledge production and applied work in the context of thorough reconfiguration of general values in her/his own "place of living", i.e. in an arising new homeland which replaced a disappeared old one. // After the war it is much easier to position oneself and to engage by speaking in favour of research subjects. However, it is precisely this easiness in the present that gives rise to a number of questions regarding the integrity of music scholarship and ethical practices. This contribution tries to discuss them by confronting author's own wartime and post-war writing, and by an endeavour to establish a new dialogue between ex-Yugoslav ethnomusicologists.

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti, Znanost o umjetnosti

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