Pregled bibliografske jedinice broj: 311476
When the technology is in the hand(phone)s of 'the primitive'
When the technology is in the hand(phone)s of 'the primitive' // Abstracts of the 39th World Conference of the International Council for Traditional Music, 4-11 July 2007, Vienna/Austria / Wild, Stephen ; van Zanten, Wim (ur.).
Beč: ICTM ; University of Music and Performing Arts Vienna, 2007. str. 208-211 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 311476 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
When the technology is in the hand(phone)s of 'the primitive'
Autori
Piškor, Mojca
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Abstracts of the 39th World Conference of the International Council for Traditional Music, 4-11 July 2007, Vienna/Austria
/ Wild, Stephen ; van Zanten, Wim - Beč : ICTM ; University of Music and Performing Arts Vienna, 2007, 208-211
Skup
39th World Conference of the International Council for Traditional Music
Mjesto i datum
Beč, Austrija, 04.07.2007. - 11.07.2007
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
music; turbo folk; technology; ringtones; handphones; Croatia
Sažetak
Over the past years, a recurrent theme found within Croatian mediascapes has been the "case" of turbo-folk. To judge by the TV features, news headlines, talk shows or titles of newspaper articles – one comes to the conclusion that turbo folk has become one of the most important, most discussed, and most contested facets of musical life in Croatia. Labelled variously as "bad", "corrupting", "dangerous, " and even "primitive" music by "official" media, turbo folk, as well as its audiences, are discursively being pushed to the margins of society, "appropriate" cultural images and, in case of Croatia's capital, to the edges of urban-ness. Everyday soundscapes of Zagreb, however, sound a different story. Through loudspeakers of passing cars and handphones' ringtones (to mention just the most penetrating), turbo folk seems to "fight its way back" into the centre of the city and its soundscape. Departing from seemingly insignificant add space offering various ringtones for cellphones (appearing on final pages of many Croatian magazines), I try to navigate through thick layers of discursive practices, labelling processes, and the struggle over interpretation/representation on the one side, and listening practices, consumption processes and resistance to being labelled, on the other.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti, Znanost o umjetnosti
POVEZANOST RADA
Projekti:
189-1890667-0663 - Postsocijalizam i kulturni subjekt: hibridne prakse kulturnog posredovanja (Prica, Ines, MZOS ) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Mojca Piškor
(autor)