Pregled bibliografske jedinice broj: 228586
« ; Ljubav i zloba» ; (« ; Love and Malice» ; , 1846), The First Croatian National Opera: A Point of Unification and/or a Point of Conflict
« ; Ljubav i zloba» ; (« ; Love and Malice» ; , 1846), The First Croatian National Opera: A Point of Unification and/or a Point of Conflict // Opera as a Place of Representation
Budimpešta, Mađarska, 2005. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
CROSBI ID: 228586 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
« ; Ljubav i zloba» ; (« ; Love and Malice» ; , 1846), The First Croatian National Opera: A Point of Unification and/or a Point of Conflict
Autori
Katalinić, Vjera
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Opera as a Place of Representation
Mjesto i datum
Budimpešta, Mađarska, 13.10.2005. - 15.10.2005
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
19th century; Vatroslav Lisinski; opera 'Love and Malice'; Croatian national opera; music and politics; music and society
Sažetak
Vatroslav Lisinski was only 25, when he started to compose the first Croatian national opera « ; Ljubav i zloba» ; (« ; Love and Malice» ; ). He lacked the compositional experience having created only some songs and piano pieces, which aroused large popularity whithin the circle of Illyrians. The article presents some data on the premiere of the opera: in social-political aspect (place of the performance, performers, reactions), literal (libretto in the context of contemporary national operas), musical aspect (wat was « ; national» ; in this opera: the view of Illyrians vs. today's analisys ; at all these levels six points of conflict and/or unification are identified.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
