Pregled bibliografske jedinice broj: 228584
Between the Popular and Elite Culture. The Music Theatre in the South-Eastern Hapsburg Empire in the 2nd Half of the 19th Century
Between the Popular and Elite Culture. The Music Theatre in the South-Eastern Hapsburg Empire in the 2nd Half of the 19th Century // · ; Oper im Wandel der Gesellschaft. Die Musikkultur europäischer Metropolen im „ ; langen“ ; 19. Jahrhundert
Berlin, Njemačka, 2005. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, pregledni)
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Naslov
Between the Popular and Elite Culture. The Music Theatre in the South-Eastern Hapsburg Empire in the 2nd Half of the 19th Century
Autori
Katalinić, Vjera
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, pregledni
Skup
· ; Oper im Wandel der Gesellschaft. Die Musikkultur europäischer Metropolen im „ ; langen“ ; 19. Jahrhundert
Mjesto i datum
Berlin, Njemačka, 29.04.2005. - 30.04.2005
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
music theatre; popular culture; elite culture; south-eastern Habsburg Empire; Croatia; Zagreb; Zadar; Rijeka; Split; Osijek; 19th century
Sažetak
Theatre in the South-Eastern Hapsburg Empire in the 2nd Half of the 19th Century Operatic repertoire, forming part of Italian music culture, had been present in Croatian towns (especially at the Adriatic shores) since the 17th and, more intensively, the 18th centuries. However, it was mostly introduced by touring of foreign opera companies, which regularly gave guest performances, firstly in improvised, and later in adapted or newly built theatres, such as Teatro Nobile in Zadar (since 1781), the so-called « ; Adamić Theatre» ; in Rijeka (since 1805), or the « ; Amadé Theatre» ; (since 1797) and « ; Stanković Theatre» ; (since 1834) in Zagreb, « ; Teatro Bajamonti» ; in Split (since 1859), etc. Performances in the Croatian language were given since the beginning of the 19th century. Research effectuated in Croatia until now, especially that from the last 50 years, dealt almost exclusively with national theatres and their repertories. Consequently, programmes of Italian and German theatres, including works for musical stage, hardly exist (exceptions are the German Theatre in Osijek, 1825-1907, and the work-in-progress with the theatre in Rijeka since 1805). Taking into account the deficiency of documentation on German and Italian theatres in Zagreb archives, data taken from secondary sources (mostly newspaper texts since 1825) are replenished by research from sources outside Zagreb and Croatia.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
