Naslov
Citatnost u djelima Ante Jerkovića
(Quotability in the works of Anto Jerković)

Autori
Susovski, Marijan

Izvornik
Život umjetnosti : časopis za suvremena likovna zbivanja (0514-7794) 32 (1998), 60; 116-120

Ključne riječi
Ante Jerković; suvremena umjetnosti; citatnost intermedijalni koncept; ontološka semiotička estetika
(Ante Jerkovi; contemporary art; Quotability; intermedialy conception; ontological semiotc aesthetic)

Sažetak
Quoting of text, and colours as well, make a part of Anto Jerkovics idiolect. Because, as D. Oraić Tolić would put it with him quotability aquired a form of intertextuality, in wich a citatiry relation becomes a profound ontological semiotic principle. Actually, we may speak of an semiotic and aesthetic function of the art that creastes a new visual world, a paralel linguistic world, as in all similar cases. This function has a presenttational character, because it destroys the existing rules and introduces the new ones, of its own. Anto Jerkić combined former efforts of reching mental states in a prayer, expressed in form of a picture. He reduced them to two essences expresed by two colours: blue - a sybol of eternity, and golden - a symbol of materialisation of thought, or of light. Thus he created painting as a form of a prayer, and gave the prayer a form of a picture.

Izvorni jezik
Hrvatski

Znanstvena područja
Znanost o umjetnosti

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